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Children in Greek Tragedy
Astyanax is thrown from the walls of Troy; Medeia kills her children as an act of vengeance against her husband; Aias reflects with sorrow on his son's inheritance, yet kills himself and leaves Eurysakes vulnerable to his enemies. The pathos created by threats to children is a notable feature of Greek tragedy, but does not in itself explain the broad range of situations in which the ancient playwrights chose to employ such threats. Rather than casting children in tragedy as simple figures of pathos, this volume proposes a new paradigm to understand their roles, emphasizing their dangerous potential as the future adults of myth. Although they are largely silent, passive figures on stage, chil...
Reading Westworld
Reading Westworld is the first volume to explore the cultural, textual and theoretical significance of the hugely successful HBO TV series Westworld. The essays engage in a series of original enquiries into the central themes of the series including conceptions of the human and posthuman, American history, gaming, memory, surveillance, AI, feminism, imperialism, free will and contemporary capitalism. In its varied critical engagements with the genre, narratives and contexts of Westworld, this volume explores the show’s wider and deeper meanings and the questions it poses, as well considering how Westworld reflects on the ethical implications of artificial life and technological innovation for our own futurity. With critical essays that draw on the interdisciplinary strengths and productive intersections of media, cultural and literary studies, Reading Westworld seeks to respond to the show’s fundamental question; “Have you ever questioned the nature of your reality?” It will be of interest to students, academics and general readers seeking to engage with Westworld and the far-reaching questions it poses about our current engagements with technology.
Annual Report
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Breaking the Dead Silence
An Open Access edition will be available on publication. The murder of George Floyd in 2020, the renewed international take up of the cry Black Lives Matter and the subsequent toppling of a statue commemorating slave-merchant-turned-philanthropist Edward Colston in Bristol provoked urgent questions on memorialisation, white privilege, social justice and repair. Debates on how legacies of colonialism and empire in Britain should be addressed spilled out of the scholarly world into the public discourse. In the immediate wake of the statue toppling this book offers a unique, distinctive and timely contribution to those debates: a series of voices and experiences are offered as critical commenta...
