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Greater New York 2010
Text by Klaus Biesenbach, Cornelia H. Butler, Neville Wakefield.
Marking Time
"A powerful document of the inner lives and creative visions of men and women rendered invisible by America’s prison system. More than two million people are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities; it also exposes them to shocking levels of deprivation and abuse and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America’s prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them. Based on interviews with currently and ...
Twenty Centuries of Mexican Art
This is a new release of the original 1940 edition.
Rising Currents
Published to accompany the exhibition held at the Museum of Modern Art, 24 Mar. - 11 Oct. 2010.
Counter Space
Catalog of an exhibition held at the Museum of Modern Art, New York, Sept. 15, 2010-May 2, 2011.
Being Modern
Published to accompany the first exhibition in Paris of highlights from The Museum of Modern Art, New York, Being Modern tells the stories behind 120 select artworks and design objects acquired by MoMA between the late 19th century and the present, providing a unique insight into the making of one of the greatest collections of modern and contemporary art in the world. Featuring work from all six of the Museum's departments, from Edward Hopper's House by the Railroad (1925) to the recently acquired original set of 176 digital emoji, the catalogue highlights the diversity and topicality of MoMA's collection, and provides a fresh perspective on the modernist canon. The book is organized chronologically according to the year each artwork entered MoMA's collection. Short texts by museum curators accompany each work, providing an overview of its significance as well as a behind-the-scenes look at the acquisitions process, often an untold aspect of a museum's history. Rather than presenting the collection as a flawlessly structured, stable entity, the book reveals its complex evolution and wide-ranging scope, demonstrating multiple ways of looking at MoMA's multidisciplinary collection.
The Anti-museum
Since the early 1960s, artists have sealed off spaces in galleries and museums as a radical artistic gesture. These uncompromising works confront the viewer to a closed exhibition space, encouraging instead a physical, sensitive, or conceptual experience of each. These exhibitions are now re-explored at Fri Art. One after the other, they give structure to a retrospective that is written in time, as each work will successively close the exhibiton space, between August 6 and November 19, 2016. The retrospective's last day will be marked by the re-opening of the exhibition space. Festivities will include the launch of an important multidisciplinary, historical, and prospective anthology dedicated to radical artistic engagement: 'The Anti-Museum.' Exhibition: Fri Art - Centre d'art de Fribourg / Kunsthalle Freiburg, Switzerland (05.08-19.11.2016).
WACK!
Written entries on each artist offer key biographical and descriptive information and accompanying essays by leading critics, art historians, and scholars offer new perspectives on feminist art practice. The topics provide a broad social context for the artworks themselves.
David Hammons
None
Weimar Cinema, 1919-1933
Published in conjunction with the Museums presentation of 75 featurelength films from theWeimar era, many of them only recently restored, Weimar Cinema 1919-1933: Daydreams and Nightmares reconsiders the broad spectrum of influential German films made between the world wars. Both films made in Germany and those made in America by the émigré filmmakers who arrived in Hollywood before Hitler took power deeply affected American cinema. Weimar Cinema is the first comprehensive survey of this period to include popular cinema musicals, comedies, the daydreams of the working class along with the nightmarish classics such as Fritz Langs Dr.Mabuse der Spieler and M, F.W. Murnaus Nosferatu: Eine Symphonie des Grauens and G.W. Pabsts Pandoras Box. Richly illustrated with film stills, the book examines how our understanding of these films has changed in the last half century and investigates important themes in films from this period, including the portrayal of women and the role of sound. Supplementing the essays is a detailed illustrated filmography of the 75 films featured in the programme; each film is accompanied by a brief description and excerpts from reviews.
