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Completely revised and updated. Chapters have been rewritten. Also added in a substantial new chapter on contemporary Maori and Pacific Island painting, as well as an acknowledgement of the coming wave of Asian artists.
A collection of paintings by New Zealand artists.
"This landmark book on New Zealand artists and their work was first written by Gil Docking, published in 1971, extended to 1990 by art historian Michael Dunn, and again to 2020 by art historian, writer and lecturer Edward Hanfling. New design, with additional text by Edward Hanfling, including an introduction to the new edition + discussion of new directions in New Zealand painting. This book is an ideal introduction to the development of New Zealand painting from its very beginning, and also the development of critical thinking about the work of New Zealand artists over the last 50 years. Detailed bibliography and index makes this an ideal book for students."--Publisher information.
"Art crime is soaring. Every year as much as $10 billion worth of artworks are stolen. Many more are vandalised, damaged or destroyed. Added to this is a flourishing world of fakes and forgeries, often sold for millions of dollars and hanging in the world's most prestigious galleries. If you think this is happening only in Paris, London and New York, prepare to be surprised as art curator Penelope Jackson reveals the underbelly of the New Zealand art world"--Back cover.
Summary: "The Invention of New Zealand is an important study of nationalism in twentieth-century New Zealand art. From the 1930s onwards, artists, writers and critics such as Toss Woollaston, Allen Curnow, Colin McCahon, Rita Angus, A R D Fairburn, Doris Lusk and Monte Holcroft deployed art, literature and theory in the construction of a national identity, the search for the essence of New Zealand and the invention of a specifically New Zealand high culture. Francis Pound ponders, decodes, memorialises and celebrates this project from its starting moment when painters and poets became newly self-conscious about New Zealand art. He argues that in the early 1970s the framework was largely dism...
From the 1870s to the early twentieth century, the Bohemian immigrant artist Gottfried Lindauer travelled to marae and rural towns around New Zealand and – commissioned by Māori and Pākehā – captured in paint the images of key Māori figures. For Māori then and now, the faces of tūpuna are full of mana and life. Now this definitive book on Lindauer’s portraits of the ancestors collects that work for New Zealanders. The book presents 67 major portraits and 8 genre paintings alongside detailed accounts of the subject and work, followed by essays by leading scholars that take us inside Lindauer and his world: from his artistic training in Bohemia to his travels around New Zealand as ...