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This is the only comprehensive account of the Parthenon pediments in English and the first in any language since 1963. It serves as an up-to-date introduction to their study and includes new proposals for the restoration and interpretation of their composition. Debate on the Parthenon pediments has concentrated on the interpretation of individual figures, the restoration of the missing parts and the question of Roman repairs. The present study is based on autopsy and considers the evidence of technical details. It questions the attribution of certain familiar pieces and offers new suggestions for restoring the east pediment. All sculptures are illustrated, some with photographs taken especially for this book, and there are new drawings of the restorations proposed by the author. Chapter 1 is a general introduction to the study of the pediments. It includes an assessment of the documentation and a summary of stylistic and technical characteristics of the sculptures. Chapters 2 and 3 treat each pediment separately. The discussion of individual sculptures is incorporated in a continuous narrative which sets them within the context of the overall composition.
The Handbook of Greek Sculpture aims to provide a detailed examination of current research and directions in the field. Bringing together an international cast of contributors from Greece, Italy, France, Great Britain, Germany, and the United States, the volume incorporates new areas of research, such as the sculptures of Messene and Macedonia, sculpture in Roman Greece, and the contribution of Greek sculptors in Rome, as well as important aspects of Greek sculpture like techniques and patronage. The written sources (literary and epigraphical) are explored in dedicated chapters, as are function and iconography and the reception of Greek sculpture in modern Europe. Inspired by recent exhibitions on Lysippos and Praxiteles, the book also revisits the style and the personal contributions of the great masters.
This book examines the effects of the Peloponnesian War on the arts of Athens and the historical and artistic contexts in which this art was produced. During this period, battle scenes dominated much of the monumental art, while large numbers of memorials to the war dead were erected. The temple of Athena Nike, built to celebrate Athenian victories in the first part of the war, carries a rich sculptural program illustrating military victories. For the first time, the arts in Athens expressed an interest in the afterlife, with many sculptured dedications to Demeter and Kore, who promised initiates special privileges in the underworld. Not surprisingly, there were also dedications to healer gods. After the Sicilian disaster, a retrospective tendency can be noted in both art and politics, which provided reassurance in a time of crisis. Bringing together essays by an international team of art historians and historians, this is the first book to focus on the new themes and new kinds of art introduced in Athens as a result of the thirty-year war.
Provides an overview of a classical monument interjected with the discoveries of modern scholarship.
This is a comprehensive study of the art, archaeology, myths, cults, and function of one of the most illustrious sites in the West. Providing an extensive treatment of the significance of the site during the 'Golden Age' of classical Greece, Jeffrey Hurwit discusses the development of the Acropolis throughout its long history, up to and including the recent discoveries of the Acropolis restoration project, which have prompted important re-evaluations of the site and its major buildings. Throughout, the author describes the role of the Acropolis in everyday life, always placing it within the context of Athenian cultural and intellectual history. Accompanied by 10 color plates, 172 halftones, and 70 line drawings, this is the most thorough book on the Acropolis to be published in English in nearly a century.
From Homer to Sophocles and Greek Middle Comedy, and from Plato and Protagoras to Ovid, this volume features a panoramic and cross-generic overview of the diverse handling and ad hoc elaboration of the overarching literary notions of "time" and "space". The twenty-one contributions of this volume written by an international group of esteemed scholars provide an equal number of hermeneutic approaches to individual, distinct aspects of Greek and Latin literature. The volume is purposely designed not as a linear display of knowledge, but rather as an anthology of select paradigms that aim to demonstrate the multidimensional function and multifaceted role of the twin notions of "time" and "space...
A Companion to Greek Architecture provides an expansive overview of the topic, including design, engineering, and construction as well as theory, reception, and lasting impact. Covers both sacred and secular structures and complexes, with particular attention to architectural decoration, such as sculpture, interior design, floor mosaics, and wall painting Makes use of new research from computer-driven technologies, the study of inscriptions and archaeological evidence, and recently excavated buildings Brings together original scholarship from an esteemed group of archaeologists and art historians Presents the most up-to-date English language coverage of Greek architecture in several decades while also sketching out important areas and structures in need of further research
The papers in this volume illustrate the interplay between the studies of classical archaeology, religion, history, and musicology. The eight papers by the young scholars and their Nestor, Richard Hamilton, offer a fresh look at various aspects of ancient cult, including the use of the word cult in the academic disciplines of Archaeology and the History of Religion; the introduction of Asklepios to Athens, and a detailed study of the same god's sanctuary on the south slope of Akropolis, where it will be demonstrated that the layout of the early sanctuary on the east terrace was carefully designed after one central monument. The book also contains an innovative study of the Philippeion at Olympia, where it is argued that the tholos with its sculpture was a proto-type for the use of divine images and royal ideology by Hellenistic rulers. Other papers include a statistical approach to the illustration of baskets on Classical votive reliefs, a theoretical study of the role of music in ancient Greek cult, and analysis of the use of the chorus as one of the most important expressions of ancient cult in Sparta.
From Athens and Arcadia on one side of the Aegean Sea and from Ionia, Lycia, and Karia on the other, this book brings together some of the great monuments of classical antiquity--among them two of the seven wonders of the ancient world, the later temple of Artemis at Ephesos and the Mausoleum at Halikarnassos. With 250 photographs and specially commissioned line drawings, the book comprises a monumental narrative of the art and architecture that gave form, direction, and meaning to much of Western culture.
This book re-examines the Greek Dioskouroi, Kastor and Polydeukes, exploring their roles in image, myth, and cult. Case studies focus on their homelands in myth – Sparta, Messene, and Argos – and areas where Greek mariners sought their protection. Findings suggest that, for the Greeks, the term ‘Dioskouroi’ may have held a specific votive meaning.