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Dr. Panthea Reid/Ellen Douglas Collection
  • Language: en

Dr. Panthea Reid/Ellen Douglas Collection

  • Type: Book
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  • Published: 1983
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  • Publisher: Unknown

Collection contain correspondence and miscellaneous documents related to the life of author Ellen Douglas.

Art and Affection
  • Language: en
  • Pages: 630

Art and Affection

More than 50 after her death, Virginia Woolf remains a haunting figure, a woman whose life was both brilliantly successful and profoundly tragic. This brilliant new biography weaves together diverse strands of Woolf's life and career, offering a dazzlingly complete portrait brimming with new revelations. 64 halftone illustrations.

Tillie Olsen
  • Language: en
  • Pages: 470

Tillie Olsen

In Tillie Olsen: One Woman, Many Riddles, Panthea Reid examines the complex life of this iconic feminist hero and twentieth-century literary giant. Born in Omaha, Nebraska, Tillie Olsen spent her young adulthood there, in Kansas City, and in Faribault, Minnesota. She relocated to California in 1933 and lived most of her life in San Francisco. From 1962 on, she sojourned frequently in Massachusetts, New Hampshire, Santa Cruz, and Soquel, California. She was a 1920s "hell-cat"; a 1930s revolutionary; an early 1940s crusader for equal pay for equal work and a war-relief patriot; an ex-GI's ideal wife in the later 1940s; a victim of FBI surveillance in the 1950s;a civil rights and antiwar advoca...

Body and Soul
  • Language: en

Body and Soul

  • Type: Book
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  • Published: 2017-05
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  • Publisher: Unknown

In Body and Soul: A Memoir of Love, Loss, and Healing, biographer Panthea Reid tells the story of her love affair with her husband, John Fischer, a Woodrow Wilson Fellow and Jonathan Swift scholar. Until John's sudden death in 2015, they shared a four-decades-long love affair and literary partnership. Body and Soul unveils their deep romantic bond that began in the halls of Louisiana State University, where Reid and Fischer met in 1974. Two years later, they were married. Reid traces their rich literary partnership and shares their scholarly travels in pursuit of academic research. While Reid wove her way from William Faulkner to Virginia Woolf to Tillie Olsen, John deepened his expertise on...

Jonathan Swift’s Word-Book
  • Language: en
  • Pages: 267

Jonathan Swift’s Word-Book

Appearing for this first time in print, Word-Book is Swift’s dictionary of words and definitions for his protégé Esther Johnson. The volume includes photographs from and a transcript of the original book. Supplementing the transcript are the editors notations showing Swift’s corrections in Johnson’s text, essays comparing Swift’s dictionary to others available at that time and exploring the social and psychological milieu in which it was written, and detailed appendices.

William Faulkner
  • Language: en
  • Pages: 252

William Faulkner

  • Type: Book
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  • Published: 1999-03-01
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  • Publisher: LSU Press

William Faulkner was one of the few major writers of the period following World War I to retain a sense of the place of abstractions in life and in art. Faulkner saw life as a process of flux and change and abstractions as a means of either denying actuality or of coping with change and providing a solid touchstone in the flux. William Faulkner: The Abstract and the Actual is the first critical study of Faulkner to examine in depth the theme of evasion and distortion of existence through abstractions—a theme that can be found to a greater or lesser degree in every Faulkner novel. The book covers the entire seventeen-novel canon and includes discussions of a significant number of short stories. Its thematic organization points out the unity and continuity of Faulkner’s work. Examining the interrelationships between Faulkner’s fiction and modern thinking, Panthea Broughton shows the insight Faulkner had into the philosophical problem of the abstract versus the actual. She concludes that the central dilemma in Faulkner’s fiction—resistance to flux or change—is also one of the salient problems of the modern world.

A cosmos of my own
  • Language: en
  • Pages: 328

A cosmos of my own

None

The Art of Walker Percy
  • Language: en
  • Pages: 340

The Art of Walker Percy

  • Type: Book
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  • Published: 1999-03-01
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  • Publisher: LSU Press

The writings of Walker Percy, as Panthea Broughton notes in her introduction, are at once both accessible and inaccessible. Because they tempt readers to identify with characters and recognize ideas, they have gained a large and enthusiastic following. But because they are subtle and complicated, they defy attempts to reduce them to transparencies. Indeed, Percy’s fiction and nonfiction have a curious, baffling quality that eludes all but the most scrupulously thoughtful and sensitive readers. Through his close alignment with European novelists and philosophers, this native of Alabama has given to American fiction a classic tone that is lacking in the work of such twentieth-century writers...

Art and Ethical Criticism
  • Language: en
  • Pages: 306

Art and Ethical Criticism

Through a series of essays, Art and Ethical Criticism explores the complex relationship between the arts and morality. Reflects the importance of a moral life of engagement with works of art Forms part of the prestigious New Directions in Aesthetics series, which confronts the most intriguing problems in aesthetics and the philosophy of art today

Tillie Olsen and the Dialectical Philosophy of Proletarian Literature
  • Language: en
  • Pages: 149

Tillie Olsen and the Dialectical Philosophy of Proletarian Literature

Contrary to previous studies of Tillie Olsen’s writing, Tillie Olsen and the Dialectical Philosophy of Proletarian Literature analyzes the impact of one of the most important philosophies of the last century, dialectical materialism, on the form and content of Olsen’s fiction. By revealing the unconceptualized dialectics of Olsen’s work and its appreciation by scholars and casual readers, this study achieves a dialectical synthesis that incorporates and extends the insights of and about Olsen in terms of dialectical materialism. By foregrounding Olsen’s dialectical approach, it explains and largely resolves apparent contradictions between her Marxism and feminism; her depictions of class, race, and gender; the literature of her earlier and later periods; and her use of realist and modernist literary forms and techniques. Consequently, this project makes a case for the importance of Olsen’s Marxist education during the “Red Decade” of the 1930s and within the U.S. proletarian literary movement.