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El objetivo de este libro es establecer relaciones entre los referentes teóricos que enmarcan la economía social y solidaria en América Latina y el territorio. Para lograrlo, se hizo un examen documental sobre la evolución en el tiempo de dichos conceptos. Esta revisión teórica se acompaña de la socialización de estudios sobre prácticas de la economía social y solidaria en los territorios en Colombia. Dada la diversidad que representa la economía social y solidaria, así como los mismos territorios en América Latina, no se puede hablar de una sola forma de hacer, para lograr las transformaciones que se requieren para conseguir un buen vivir. Desde el enfoque de territorio, cualqu...
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Esta obra corresponde a un compendio de diez capítulos que muestran los resultados de igual número de investigaciones desarrolladas en la Facultad de Educación de la Universidad Cooperativa de Colombia, sede Bogotá. Su propósito es dar a conocer a la comunidad científica y académica los resultados de investigaciones en el sector educativo, particularmente en temas relacionados con las dificultades del aprendizaje. Las perspectivas teóricas y prácticas amplían el horizonte de las tendencias en este campo de estudio, al tiempo que abren nuevas ventanas conceptuales, metodológicas y prácticas en el abordaje de las dificultades que presentan los estudiantes en el avance de su aprendi...
Women perform 66% of the world's work, produce 50% of the food, but earn 10% of the income and own 1% of the property. To shed light on why this grim statistic still holds true, Women, Business and the Law aims to examine legal differentiations on the basis of gender in 143 of the world's economies. Women, Business and the Law tracks governments' actions to expand economic opportunities for women across six key areas: accessing institutions, using property, getting a job, providing incentives to work, building credit and going to court. The report uncovers legal differentiations for women and married versus unmarried women such as being able to register a business, open a bank account and wo...
"This set of books represents a detailed compendium of authoritative, research-based entries that define the contemporary state of knowledge on technology"--Provided by publisher.
Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the developme...
Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.