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Challenging Fronteras
Challenging Fronteras reflects an important new wave of research that moves beyond sweeping generalizations that treat Latinos as a monolithic cultural group. This anthology focuses on the diversity of Latino experiences by providing historical specificity and cutting-edge research that employs the conceptual and analytical tools of social science. Contributors, selected from leading researchers in Latino Studies, include Patricia Zavella, Suzanne Oboler, Alejandro Portes, Clara Rodriquez, Marta Tienda, Nestor Rodriquez, and others.
Gronk
Gronk was born in 1954 in the barrios of East Los Angeles. An autodidact by circumstance, he began his career as an urban muralist who had to look up the word “mural” to know whether he could paint one. Over time, he has grown into an international figure who has created grand sets for operas and computerized animation for panoramic screens. In this sweeping examination of Gronk's oeuvre, Max Benavidez elucidates how the artist can cross genres, sexual categories, and ethnic barriers, yet still remain true to himself. From street murals to mail art, from large-scale action painting to performance art and operatic set design, Gronk has made a lasting mark on the Chicano art movement, the ...
A Companion to Modern African Art
Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa Includes original and previously unpublished fieldwork-based material Features new and complex theoretical arguments about the nature of modernity and Modernism Addresses a widely acknowledged gap in the literature on African Art
Confessions of a Radical Chicano Doo-Wop Singer
Prologue -- La Veinte: a Santa Monica barrio -- Rubén Ladrón de Guevara Sr., 1914-2006 -- 1742 22nd Street, Barrio La Veinte, Santa Monica -- Palm Springs / Cathedral City / Las Vegas -- Binnie -- La Gatita -- Las Vegas : breakup of the family -- Sue Dean -- Beverly -- Shindig! with Tina Turner and Bo Diddley, 1965 -- The Sunset Strip riots -- The southern belle -- LACC / The New Revelations Gospel Choir -- Miss Santa Barbara -- Frank Zappa / Ruben And The Jets / Rock 'n' Roll Angels / 1972-1974 -- Miss Pamela & the G.T.O.'s (Girls Together Outrageously) -- Miss Claremont -- Miss Chino -- The mutiny -- The movie star and Miss Blue Eyes -- We open for Zappa at Winterland, San Francisco, Apr...
Contemporary African Cinema
African and notably sub-Saharan African film’s relative eclipse on the international scene in the early twenty-first century does not transcend the growth within the African genre. This time period has seen African cinema forging a new relationship with the real and implementing new aesthetic strategies, as well as the emergence of a post-colonial popular cinema. Drawing on more than 1,500 articles, reviews, and interviews written over the past fifteen years, Olivier Barlet identifies the critical questions brought about by the evolution of African cinema. In the process, he offers us a personal and passionate vision, making this book an indispensable sum of thought that challenges preconceived ideas and enriches an approach to cinema as a critical art.
Postborder City
The postborder metropolis of Bajalta California stretches from Los Angeles in the north to Tijuana and Mexicali in the south. Immigrants from all over the globe flock to Southern California, while corporations are drawn to the low wage industry of the Mexican border towns, echoing developments in other rapid growth areas such as Phoenix, El Paso, and San Antonio. This incredibly diverse, transnational megacity is giving birth to new cultural and artistic forms as it rapidly evolves into something unique in the world. Postborder City is a genuinely interdisciplinary investigation of the hybrid culture on both sides of the increasingly fluid U. S.-Mexico border, spanning the disciplines of art and art history, urban planning, geography, Latina/o studies, and American studies.
Pederasts and Others
Examine how a community of support in Nineteenth-Century Paris became a blueprint for modern sexual identity! A unique social history, Pederasts and Others: Urban Culture and Sexual Identity in Nineteenth-Century Paris is a valuable addition to the growing field of gay and lesbian studies. The book examines the interaction between the city's male homosexual subculture and Parisian authority figures who attempted to maintain political and social order during the early years of the French Third Republic by using laws against public indecency and sexual assault to treat same-sex sexuality as a crime. Faced with a constant cycle of surveillance, harassment, and arrest, the city's gay men survive...
Angles of Vision
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John A. Costello The Reluctant Taoiseach
John A. Costello remains the most elusive of our former Taoisigh, despite his enormous contribution to Irish history. He declared the Republic, led the country's first ever coalition government, and faced the Mother and Child Crisis. A surprise choice who battled against taking the job, Costello was the Reluctant Taoiseach. Historian and political correspondent David McCullagh charts the life of this fascinating man, using his personal archive of papers, as well as interviews with former colleagues, family and friends. McCullagh offers new insights into a political career which stretched from Independence to the end of the 1960s, including the Commonwealth Conferences of the 1920s, to the new Constitution of 1937, and Governments in the 1940s and 1950s. Politician, barrister, Attorney General, politician, family man – The Reluctant Taoiseach takes a fresh and revealing look at the life of a man at the centre of politics and law during one of the most turbulent periods in Irish history
