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Perspectives
Perspectives: Romantic, Victorian, and Modern Literature is an up-to-date explication of various popular and classic subjects and authors arranged chronologically. The book, composed of thirteen essays, examines Blake; Coleridge; Byron; Shelley; Keats; Victorian medievalism; the Victorian reaction to British India; (Ben) Jonsonian elements in Yeats; Yeats and Maud Gonne; the treatment of the Irish civil war and Irish nationalism in Yeats; and the treatment of the Spanish civil war in the selected works of modern fiction and nonfiction. Marked by an originality of approach and a freshness and simplicity, the book takes note of contemporary theoretical, interdisciplinary and cultural discourse...
Contemporary Authors
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The Essential Daryl Hine
First published at the age of fifteen and admired for six decades as a poetic virtuoso, Daryl Hine is recognized today as one of the strongest Canadian poets of the twentieth century. His poems, widely cultured and often autobiographical, engage with a remarkable variety of forms, genres, and subjects. With their complex syntax and lavish deployment of metres, tropes, and rhyme, the poems in The Essential Daryl Hine reveal what Pollock, in his illuminating foreword, calls "a matador of art, fighting the toro of death with consummate style." The Essential Poets Series presents the works of Canada’s most celebrated poets in editions that are beautiful, accessible, and affordable. The Essential Daryl Hine is the 12th volume in the series.
Contemporary Authors
Your students and users will find biographical information on approximately 300 modern writers in this volume of Contemporary Authors®. Authors in this volume include: Charles Frazier Joshua Henkin Gabrielle Reeche Arthur Stringer
Sister Patsy
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Wagner in Retrospect
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Poetry
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Canadiana
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Manfred
The play Manfred is one of Byron’s most famous and influential works. It established him throughout Europe as a bold, blasphemous genius. It inspired music by Tchaikovsky and Schumann, and was admired by, and influenced, Richard Wagner, whose uncle made one of its eighteen German translations. Going back to the primary manuscripts, Peter Cochran has created a new text of Manfred, so that it can at last be read as it left Byron’s pen, untouched by professional polishers, too anxious to impose a formal syntax on his fluent and spontaneous style. Cochran has – through a careful study of the original texts – decoded one hitherto-illegible note which throws light on Byron’s strange and elaborate demonology. Several essays cover the myriad sources of the play, and there are sections on its production history. Cochran ends with an amusing essay on how to, and how not to, bring Byron’s Manfred to the stage.
The Musical Standard
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