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My name is Musa. Rosa, a British Jewess, has been invited with her husband, David, to stay on a Jewish settlement on the Palestinian West Bank. The settlement overlooks an Arab village. Much against the advice of her hostess, Rebecca, the couple go on a little walk. The astonishing discovery of an abandoned Palestinian baby is to change their lives forever. 'My name is Musa' is a note written in Arabic pinned to the baby's shawl. They find out that the baby has a congenital heart defect and although they leave the baby in Bethlehem, Rosa cannot get Musa out of her mind. Months later Rosa brings him to London for a heart operation and finally he is adopted by the couple. Will David ever truly accept this foreign baby? And will Musa ever discover his birth parents?
This is a historical novel about Palestine. The characters are fictitious, but the dates, locations and historical events are real. The story begins in the Shatila Refugee Camp in Lebanon in 1982, the year of the massacre. The main character is a schoolboy, Farres, to whom his great-grandmother, Miriam, hands over a string of 'worry' beads to remind him of Palestine, just before she dies. The story then reverts to life in a village of Northern Palestine, not far from the city of Haifa, where Miriam lives as a young girl. Alternate chapters unfold the life of Miriam in the early 1900s culminating with her exile into Lebanon in 1948. At the same time it unfolds the life of Farres, growing up in a refugee camp but with dreams of becoming a doctor and of one day seeing the land of his forefathers.
Vols. for 1958 contain Minutes of the 100th General Assembly of the United Presbyterian Church of North America, the 170th General Assembly of the Presbyterian Church in the U.S.A., and the 170th General Assembly of the United Presbyterian Church of the U.S.A., the reports of the boards of the Presbyterian Church in the U.S.A. and the United Presbyterian Church of North America, and statistics of the two latter bodies.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
An accessible, authoritative history of terrorism, offering systematic analyses of key themes, problems and case studies from terrorism's long past.
Their voices come from Bethlehem and Hebron. You can hear them from Jerusalem to Nazareth, and witness their protests in Gaza and Ramallah. From the refugee camps in the West Bank, you can hear the voices of the Palestinian people call out to demand self-determination and a better quality of life. But outside of Israel and the occupied territories, these individual voices are rarely heard--until now. In Beyond the Wall: Writing a Path through Palestine, internationally renowned feminist critic and writer Bidisha collects the testimonies of an occupied people--ordinary citizens, activists, children--alongside those of international aid workers and foreign visitors for a revelatory look at a population on the margins. Called "beautifully belligerent, [and] fiercely intelligent" by The Independent and a "dazzlingly creative writer" by the LondonTimes, Bidisha amplifies the voices of the Palestinian people in this book and lends to them her own considerable strength.
“A spare elegant memoir. . . . The immediacy of the child’s viewpoint . . . depicts both conflict and daily life without exploitation or sentimentality.” —Booklist, starred review “When a war ends it does not go away,” my mother says. “It hides inside us . . . Just forget!” But I do not want to do what Mother says . . . I want to remember. In this groundbreaking memoir set in Ramallah during the aftermath of the 1967 Six-Day War, Ibtisam Barakat captures what it is like to be a child whose world is shattered by war. With candor and courage, she stitches together memories of her childhood: fear and confusion as bombs explode near her home and she is separated from her family; ...
This "gorgeously written" National Book Award finalist is a dazzling, heart-rending story of an oil rig worker whose closest friend goes missing, plunging him into isolation and forcing him to confront his past (NPR, One of the Best Books of the Year). One night aboard an oil drilling platform in the Atlantic, Waclaw returns to his cabin to find that his bunkmate and companion, Mátyás, has gone missing. A search of the rig confirms his fear that Mátyás has fallen into the sea. Grief-stricken, he embarks on an epic emotional and physical journey that takes him to Morocco, to Budapest and Mátyás's hometown in Hungary, to Malta, Italy, and finally to the mining town of his childhood in Ge...