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As Minas
As Minas são as irmãs Patricia Fields e Sandra Sclata que escrevem tudo o que der na cabeça, desde 2007. twitter.com/asminas
As Minas
As Minas são as irmãs Patricia Fields e Sandra Sclata que escrevem tudo o que der na cabeça, desde 2007. twitter.com/asminas
Pra Frente Brasil!
Copa das Confederaçoes segundo @asminas www.escrevemosjuntos.wordpress.com
O Diario De Pamplona
Adaptação da historia de Pamplona Twitter @asminas
Agenda
Twitter.com/asminas As Minas são as duas irmãs: Patricia Fields e Sandra Sclata que escrevem tudo o que der na cabeça no blog As Minas em escrevemosjuntos.wordpress.com
Livro Para Colorir
Historias em quadrinhos escritas pelas @as minas Escrevemosjuntos.WordPress.com
As Minas
Edicao de aniversario do blog as minas Visite: www.escrevemosjuntos.wordpress.com
The Social Fabric of Fifteenth-Century Florence
The Arte dei rigattieri (merchants of second-hand goods in Florence) has never been the subject of a systematic study, even in scholarship devoted to the history of trades. Underpinned by a large collection of archival material, this book analyzes the social life and economic activity of rigattieri in fifteenth-century Florence. It offers invaluable information on issues such as the relationship between socio-political affiliations and economic interest as well as the structures of consumption and the spending power of different social groups. Furthermore, through the lens of the Arte dei Rigattieri, this work examines the connection between the development of the political bureaucracy, the establishment of Medicean power, and contemporaneous processes of identity construction and social mobility.
Tonino Valerii
Tonino Valerii is one of Italy's best genre film directors. Starting out as Sergio Leone's assistant on For a Few Dollars More (1965), he went on to direct spaghetti westerns that stand out among the most accomplished in their class--Day of Anger (1967), The Price of Power (1969), A Reason to Live, a Reason to Die! (1972) and My Name Is Nobody (1973). He also directed the outstanding giallo My Dear Killer (1972). This book examines Valerii's life and career in depth for the first time, with exclusive interviews with the filmmaker, scriptwriters and actors, and critical analysis of his films.
Homosexuality and Italian Cinema
This book is the first to establish the relevance of same-sex desires, pleasures and anxieties in the cinema of post-war Italy. It explores cinematic representations of homosexuality and their significance in a wider cultural struggle in Italy involving society, cinema, and sexuality between the 1940s and 1970s. Besides tracing the evolution of representations through both art and popular films, this book also analyses connections with consumer culture, film criticism and politics. Giori uncovers how complicated negotiations between challenges to and valorization of dominant forms of knowledge of homosexuality shaped representations and argues that they were not always the outcome of hatred but also sought to convey unmentionable pleasures and complicities. Through archival research and a survey of more than 600 films, the author enriches our understanding of thirty years of Italian film and cultural history.
