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‘Postmodernism’ and ‘feminism’ have become familiar terms since the 1960s, developing alongside one another and clearly sharing many strong points of contact. Why then have the critical debates arising out of these movements had so little to say about each other? Patricia Waugh addresses the relationship between feminist and postmodernist writing and theory through the insights of psychoanalysis and in the context of the development of modern fiction in Britain and America. She attempts to uncover the reasons why women writers have been excluded from the considerations of postmodern art. Her route takes her through the theorization of self offered by Freud and Lacan and on to the con...
Literary Theory and Criticism: An Introduction provides an accessible overview of major figures and movements in literary theory and criticism from antiquity to the twenty-first century. It is designed for students at the undergraduate level or for others needing a broad synthesis of the long history of literary theory. An introductory chapter provides an overview of some of the major issues within literary theory and criticism; further chapters survey theory and criticism in antiquity, the Middle Ages and Renaissance, the Enlightenment, and the nineteenth century. For twentieth- and twenty-first-century theory, the discussion is subdivided into separate chapters on formalist, historicist, political, and psychoanalytic approaches. The final chapter applies a variety of theoretical concepts and approaches to two famous works of literature: William Shakespeare’s Hamlet and Mary Shelley’s Frankenstein.
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
By interrogating the terms and concepts most central to cultural change, Future Theory interrogates how theory can play a central role in dynamic transition. It demonstrates how entangled the highly politicized spheres of cultural production, scientific invention, and intellectual discourse are in the contemporary world and how new concepts and forms of thinking are crucial to embarking upon change. Future Theory is built around five key concepts – boundaries, organization, rupture, novelty, futurity – examined by leading international thinkers to build a vision of how theory can be applied to a constantly shifting world.
Postmodernism provides a collection of the incessantly cited but nevertheless still widely-scattered critical texts on postmodernism and literary theory. It includes all the "classics" as well as some less obvious, though no less stimulating, choices. An introduction and commentary by Pat Waugh provides essential information and offers a context within which to view the chosen texts.
This volume offers a comprehensive account of modern literary criticism, presenting the field as part of an ongoing historical and intellectual tradition. Featuring thirty-nine specially commissioned chapters from an international team of esteemed contributors, it fills a large gap in the market by combining the accessibility of single-authored selections with a wide range of critical perspectives. The volume is divided into four parts. Part One covers the key philosophical and aesthetic origins of literary theory, while Part Two discusses the foundational movements and thinkers in the first half of the twentieth century. Part Three offers introductory overviews of the most important movements and thinkers in modern literary theory, and Part Four looks at emergent trends and future directions.
The new edition of this core text has been thoroughly revised and updated in light of the latest developments in the field. Covering the key theoretical approaches in modern literary theory, the text includes those essays and documents that are essential reading for students of literature andcritical theory. The original structure of the book has been improved and new material has been added, including extracts from the writings of Marx, Freud, and de Beauvoir, and a new section devoted to contemporary critical debates and issues.
This Reader is the first of its kind to offer access to important intellectual contexts that have helped to mold the production and reception of twentieth-century literature. Representing such fields as the philosophy of science, theories of knowledge, anthropology, psychoanalysis, religion, and social and political theory, the manifestos, essays, and excerpts are surrounded with substantial editorial commentary and section introductions throughout.
Addressing the relationship between feminist and postmodernist writing and theory through the insights of psychoanalysis and in the context of the development of modern fiction in Britain and America, Patricia Waugh attempts to uncover the reasons why women writers have been excluded from the considerations of postmodern art. The second part of the book analyses the work of six 'traditional' and six 'experimental' writers, challenging the restrictive definitions of 'realist', 'modernist', 'postmodernist' in the light of the theoretical position developed in part one. Authors covered include: Woolf (viewed as a postmodernist 'precursor' rather than a 'high' modernist), Drabble, Tyler, Plath, Brookner, Paley, Lessing, Weldon, Atwood, Walker, Spark, Russ, and Piercy.
Retirement, A New Adventure is full of ideas to have an active, fun and enriching life in retirement. The thesis of the book is that life in retirement involves much more than just ensuring financial security. Retirement opens up opportunities for doing new things and learning new things, exploring new places and meeting new people, discovering hidden talents and showcasing them, and, experimenting with new tools and technologies to reconnect with the past and connect to the future. Retirement affords time to fulfil long-held dreams and aspirations on the journey to self-actualization. What sets this book apart is the stories it provides from real life experiences of the author and others; stories ranging from silly to serious, revealing how enjoyable and satisfying life in retirement can be.