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Sexual Identities
Cognitive cultural theorists have rarely taken up sex, sexuality, or gender identity. When they have done so, they have often stressed the evolutionary sources of gender differences. In Sexual Identities, Patrick Colm Hogan extends his pioneering work on identity to examine the complexities of sex, the diversity of sexuality, and the limited scope of gender. Drawing from a diverse body of literary works, Hogan illustrates a rarely drawn distinction between practical identity (the patterns in what one does, thinks, and feels) and categorical identity (how one labels oneself or is categorized by society). Building on this distinction, he offers a nuanced reformulation of the idea of social con...
Style in Narrative
Drawing on recent psychological research, this book proposes a new and clear definition of "style" and provides a systematic theoretical account of style in relation to cognitive and affective science. Patrick Hogan uses rich examples from literature, film, and graphic fiction to explain the narrative, thematic, and emotional functions of style in narrative.
The Death of the Goddess
THE DEATH OF THE GODDESS is an epic, narrative poem that is a moving account of affection, personal loss, and grief. Inspired by Buddhism, Indic thought and Hogan’s reading of the Bhagavad Gita, the central figures are two lovers who refuse to accept unjust social hierarchies and suffer separation and death for that choice. In this groundbreaking narrative, Patrick Colm Hogan sets out to re-synthesize ancient Indian philosophy and myth, with a beauty and literary feeling (called “rasa” in Sanskrit) that are the central aspects of this poem. THE DEATH OF THE GODDESS is richly metaphorical and written in an innovative form where Hogan makes liberal use of the musical features of verse—rhyme, assonance, and alliteration—that combines aspects of formal patterning with the unexpectedness of free verse. There are no spare words—each line is crafted with careful accuracy, cutting with a surgeon’s precision. These unifying tie-ins make THE DEATH OF THE GODDESS an excellent literary achievement to be read by serious poetry lovers and students in mythology or epic literature alike.
Personal Identity and Literature
"In Personal Identity and Literature, Patrick Hogan examines what makes an individual a particular, unique self. Hogan draws on cognitive and affective science as well as literary works--from Walt Whitman and Frederick Douglass to Dorothy Richardson, Alice Munro, and J. M. Coetzee. His scholarly analyses are also intertwined with more personal reflections, bearing for example on his mother's memory loss. The result is a work that examines a complex topic by drawing on a unique range of resources--from empirical psychology and philosophy to novels, films, and biographical experiences. The book provides a clear, systematic account of personal identity that is theoretically strong, but also unique and engaging." --
Affective Narratology
Stories engage our emotions. We?ve known this at least since the days of Plato and Aristotle. What this book helps us to understand now is how our own emotions fundamentally organize and orient stories. In light of recent cognitive research and wide reading in different narrative traditions, Patrick Colm Hogan argues that the structure of stories is a systematic product of human emotion systems. Examining the ways in which incidents, events, episodes, plots, and genres are a function of emotional processes, he demonstrates that emotion systems are absolutely crucial for understanding stories. Hogan also makes a case for the potentially integral role that stories play in the development of ou...
What Literature Teaches Us about Emotion
Literature provides us with otherwise unavailable insights into the ways emotions are produced, experienced, and enacted in human social life. It is particularly valuable because it deepens our comprehension of the mutual relations between emotional response and ethical judgment. These are the central claims of Hogan's study, which carefully examines a range of highly esteemed literary works in the context of current neurobiological, psychological, sociological, and other empirical research. In this work, he explains the value of literary study for a cognitive science of emotion and outlines the emotional organization of the human mind. He explores the emotions of romantic love, grief, mirth, guilt, shame, jealousy, attachment, compassion, and pity - in each case drawing on one work by Shakespeare and one or more works by writers from different historical periods or different cultural backgrounds, such as the eleventh-century Chinese poet Li Ch'ing-Chao and the contemporary Nigerian playwright Wole Soyinka.
Understanding Indian Movies
Indian movies are among the most popular in the world. However, despite increased availability and study, these films remain misunderstood and underappreciated in much of the English-speaking world, in part for cultural reasons. In this book, Patrick Colm Hogan sets out through close analysis and explication of culturally particular information about Indian history, Hindu metaphysics, Islamic spirituality, Sanskrit aesthetics, and other Indian traditions to provide necessary cultural contexts for understanding Indian films. Hogan analyzes eleven important films, using them as the focus to explore the topics of plot, theme, emotion, sound, and visual style in Indian cinema. These films draw o...
How Authors' Minds Make Stories
This book explores how the creations of great authors result from the same operations as our everyday counterfactual and hypothetical imaginations, which cognitive scientists refer to as "simulations." Drawing on detailed literary analyses as well as recent research in neuroscience and related fields, Patrick Colm Hogan develops a rigorous theory of the principles governing simulation that goes beyond any existing framework. He examines the functions and mechanisms of narrative imagination, with particular attention to the role of theory of mind, and relates this analysis to narrative universals. In the course of this theoretical discussion, Hogan explores works by Austen, Faulkner, Shakespeare, Racine, Brecht, Kafka, and Calvino. He pays particular attention to the principles and parameters defining an author's narrative idiolect, examining the cognitive and emotional continuities that span an individual author's body of work.
Colonialism and Cultural Identity
This book examines the diverse responses of colonized people to metropolitan ideas and to indigenous traditions. Going beyond the standard isolation of mimeticism and hybridity—and criticizing Homi Bhabha's influential treatment of the former—Hogan offers a lucid, usable theoretical structure for analysis of the postcolonial phenomena, with ramifications extending beyond postcolonial literature. Developing this structure in relation to major texts by Derek Walcott, Jean Rhys, Chinua Achebe, Earl Lovelace, Buchi Emecheta, Rabindranath Tagore, and Attia Hosain, Hogan also provides crucial cultural background for understanding these and other works from the same traditions.
The Mind and Its Stories
Hogan argues that the stories people admire in different cultures follow a limited number of patterns determined by cross-culturally constant ideas about emotion. He concludes with a discussion of the relations among narrative, emotion concepts, and the biological and social components of emotion.
