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When the Scottish poet Thomas Pringle emigrated to the Cape Colony in 1820 he voyaged also into a new creative life and an art responsive to his colonial home, “sterner verse” for “darker scenes”. Accompanying him to the Cape, the sonnet became his most consistent choice for capturing his experiences and convictions, his personal crises and the greater trauma of colonial appropriation and racial oppression. In this study his unique contribution to the Romantic-era sonnet is for the first time given its full due, through readings that are as attentive to form and formal agency as to the cultural, social and historical conditions in which they are enmeshed. Moving beyond colonial theory to consider issues of literary migration, this illuminating work shows how Pringle effectively opened up a radical conversation between the habitual modes of perception and response of British Romanticism and his new, southern world.
The Neo-Buddhist Writings of Lafcadio Hearn: Light from the East by Antony Goedhals offers radical rereadings of a misunderstood and undervalued Victorian writer. It reveals that at the metaphysical core of Lafcadio Hearn’s writings is a Buddhist vision as yet unappreciated by his critics and biographers. Beginning with the American writings and ending with the essay- and story-meditations of the Japanese period, the book demonstrates Hearn’s deeply personal and transcendently beautiful evocations of a Buddhist universe, and shows how these deconstruct and dissolve the categories of Western discourse and thinking about reality – to create a new language, a poetry of vastness, emptiness, and oneness that had not been heard before in English, or, indeed, in the West.