Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
As Near as I Can Get
First published in 1962 As Near as I Can Get was Paul Ableman's follow up to his critically acclaimed debut I Hear Voices. Following Alan Peebles, a young man struggling to become a poet, As Near as I Can depicts a mid-twentieth century London of offices, pubs and lodgings. Fuelled by drink through these desperate years, the narrator charts his encounters with women and fellow artists, as he seeks to glimpse a wonder in life barely discernible beneath the routine of every day. 'Paul Ableman's novels were praised for their inventive language, bawdy high spirits, and originality of form by Anthony Burgess, Philip Toynbee, Robert Nye and other friends of the avant-garde. They are witty, original, and full of good humour, and I am delighted Faber Finds are reissuing them.' Margaret Drabble
The Twilight of the Vilp
The hero of Paul Ableman's Vilp (1962) is Clive Witt, a novelist in search of a hero for his new novel. He advertises for suitable applicants, and from seventy-three replies he selects three: Professor Guthrie Pidge, a zoologist; Pad Dee Murphy, an Irish-Burmese peasant; and Harry Glebe, the inventor of the renowned earth-borer. Clive's novel, though, progresses slowly. His three heroes refuse to mix their very disparate elements into a harmonious whole. Eventually, Clive scraps it and harnesses his team of heroes to a new work, an exciting science fiction tale called The Silver Spores. In this, mankind meets the Vilp! The novel ends with the 5,000 strong Vilp Galactic Council communing in space at an incredibly high telepathic level. 'Excellent... vital, taut, brilliantly imaginative' Anthony Burgess
Anatomy of Nakedness
None
Straight Up
At long last Arthur Daley has consented to pen his astounding life story. Clawing back the fame and fortune that slipped from the grasp of his grandfather; readers will gasp at the "tycoonery" of the schoolboy, weep at his long persecution by Detective Sergeant Chisholm, and warm to his exploits with Terry McCann. Cataloguers note: this is not a true autobiography, it is a work of fiction based on the fictitious character Arthur Daley from the television show Minder.
Tornado Pratt
Tornado Pratt is the last of the old-style American tycoons, one who has lived his life with ferocious vigour through the vacillating fortunes of the twentieth-century USA. Paul Ableman's novel finds him in a hotel room at the end of his days, as he recounts via a dying monologue the events of his turbulent life. What is revealed, in a testimony full of jokes and surprises, is a brash, lustful, comic, profane, naïve and sentimental man who, driven on by remorse, displays a wry and perceptive honesty about himself, even as his memories begin to merge with imaginings. Often funny and sometimes moving, Tornado Pratt's voice is an unforgettable one in which he confronts his own mortality, and in which Paul Ableman gives us an astonishing, affecting and life-affirming story. Auberon Waugh called Tornado Pratt 'a magnificent and memorable novel'.
Street Farm
Street Farm is the inspirational account of residents in the notorious Low Track in Vancouver, British Columbia—one of the worst urban slums in North America—who joined together to create an urban farm as a means of addressing the chronic problems in their neighborhood. It is a story of recovery, of land and food, of people, and of the power of farming and nourishing others as a way to heal our world and ourselves. During the past seven years, Sole Food Street Farms—now North America’s largest urban farm project—has transformed acres of vacant and contaminated urban land into street farms that grow artisan-quality fruits and vegetables. By providing jobs, agricultural training, and...
the ginger man
None
Porridge
Regarded by many critics as one of Britain's best sitcoms, Dick Clement and Ian La Frenais' tales of life inside Slade Prison first hit the screens in 1973. Three series were transmitted before the prison show finally closed its doors in 1977. But it has never faded from the nation's consciousness. Ronnie Barker, as Fletch the old lag, and Richard Beckinsale, as Godber the naive first-time offender, are among television history's finest comic creations. This book tells the behind-the-scenes story of how the series came to be made.
Off-centre Stages
Relating the histories of two important London fringe theaters--the Round House and the Open Space--with the use of rare archives, this text offers a detailed look at these pioneering companies and answers key questions about performance space and its influence on the types of productions successfully presented. The work of maverick American playwright and director Charles Marowitz, who founded the Open Space Theater, is fully detailed, as is that of political playwright Arnold Wesker, who founded the Round House. Also explored is the role Thelma Holt played in the development of both theaters. Rare photographs of productions and a complete list of plays and events staged at the two venues are included.
London Consequences
None
