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Jackson Street After Hours
"Vintage photographs and 24 contemporary portraits capture the style and flavor of Jackson Street and its jazz legacy. Based on extensive interviews with jazz musicians, this significant new volume documents the smokey rooms, Prohibition antics, wartime parties, and unforgettable riffs that characterized great moments in Pacific Northwest jazz." -- Amazon.com viewed July 8, 2020.
Faiblesse et force, présidence et collégialité chez Paul de Tarse
In 2 Cor. 10–13, as in the entire Pauline corpus, the use of the first person plural is surprising. Paul oscillates between singular ('I') and plural ('We'), sometimes within the same sentence. While this literary feature has never been seriously explored, this study undertakes in the first part an investigation of the meanings of 'we' in ancient Greek texts through several literary genres, from Homer to the Hellenistic period. The second part, devoted to 2 Cor. 10–13, shows the neat architecture of these chapters, and the way the key theological message about weakness (ἀσθένεια) and power (δύναμις) is delivered. Also the occurrences of 'We' and 'I' throughout the text re...
Affective Genealogies
Affective Genealogies is an incisive contribution to the current reassessment of postmodern culture and theory. Elizabeth J. Bellamy examines how the Holocaust and Jews have been represented in a wide range of French poststructuralist works. Central to Bellamy's study is her questioning of whether "the non-essentializing discourse of postmodernism [can] ever enable a genuine 'working through' to an understanding of the horror of the Holocaust." She concludes that much recent French thought "encrypts but does not fully confront the trauma of the Holocaust." Bellamy begins by surveying contemporary writings on Judaism, the Holocaust, and the "crisis of memory." She then closely examines recent...
Responses
This collection of essays serves as a forum for a broad spectrum of responses to the war-time writing of Paul de Man, responses rarely in agreement and often sharply contradictory, differing in approach, affect, and style. Responses engages in reading de Man’s early articles, in articulating their multiple contexts, then and now, and in opening the limitations imposed by rubrics like “the case of Paul de Man” and “deconstruction politics.” Responses brings together the readings and commentaries of literary critics and historians from the United States and Europe, with their diverse strategies—historical, rhetorical, psychological, political. The primary aims of these essays are r...
Wartime Journalism, 1939-1943
In occupied Belgium during World War II, Paul de Man (1919-1983) wrote music, lecture, and exhibition reviews, a regular book column, interviews, and articles on cultural politics for the Brussels daily newspaper Le Soir. From December 1940 until he resigned in November 1942, de Man contributed almost 200 articles to this and another newspaper, both then controlled by Nazi sympathizers and vocal advocates of the "new order." Later to become one of the most respected and influential literary theorists in America, de Man, then 21 and 22 years old, wrote primarily as the chief literary critic for Le Soir. His weekly column reviewed the latest novels and poetry from Belgium, France, Germany, and...
The Spectator
A weekly review of politics, literature, theology, and art.
