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Paul Delvaux
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Paul Delvaux
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Paul Delvaux
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Delvaux and Antiquity
Antiquity as inspiration can be revealed in the works of Paul Delvaux as from the beginning of the 1930s and gets more important during World War II, for example with the theme of the tragic city. His interest in antiquity is characterized by antique sculpture and leads the artist to the elaboration of a theatralic human figure. These theatralic and dramatic representations put on mythical figures like Pygmalion, Venus or Penelope as well as sirens, ephebes and hamadryads. Delvaux also evokes a certain secret sacrality of so-called "places of memory" as temples and antique places like the Acropolis, Olympia or Pompeii. Places which Delvaux visited on the occasion of his two journeys to Italy in 1937 and 1939 as well as on his travel through Greece in 1956. Finally, we should not forget a most important aspect of Delvaux's reception of antiquity: that of melancholic withdrawal.
Paul Delvaux
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Paul Delvaux
This monograph investigates the work of the Belgian Surrealist painter Paul Delvaux, a colleague of Rene Magritte's whose best-known works feature odd groupings of female nudes who stare into space, transfixed, while making enigmatic gestures in Surreally mismatched settings--for example while walking down an empty street, reclining in a train station or gathering in a complex of classical buildings. Sometimes these haunting muses wander through space accompanied by a skeletons; other times, they sit silently in long and sombre Puritanical dresses, as if serving out a penance.
