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I'll Be Gone is not just the story of an accidental masterpiece, a song written by Mike Rudd and recorded by his seminal Australian band 'Spectrum' in 1969. It is also the story of a time of unprecedented political and cultural upheaval and promise both in Australia and the Western world. Most of all, I'll Be Gone is the story of a unique artist and his unerring artistic vision, often in the face of immense personal hardship and sorrow.
'Sheer, magnificent pointlessness' Marcus Berkmann, Spectator gift guide Reader reviews: 'The perfect stocking filler for fans of our four-legged friends and great British pubs alike' - Richard Attwood 'Bought one copy for myself and now I have come back another three times to buy it as presents for other people.' - Chris Moon 'A perfect Christmas present!' 'Glorious photos and some very funny commentary' 'What an awesome collection of pub dogs' 'Beautiful pictures of a range of public house pooches the length and breadth of Britain' - Carl Morris 'A beautifully crafted book giving a perfect insight into British culture' - Jill Monum 'Great book, well thought out and beautifully produced' Th...
One hundred kilometers from Seville lies the small village of Marinaleda, which for the last thirty-five years has been the center of a tireless struggle to create a living utopia. Today, Marinaleda is a place where the farms and the processing plants are collectively owned and provide work for everyone who wants it. As Spain's crisis becomes ever more desperate, Marinaleda also suffers from the international downturn. Can the village retain its utopian vision? Can the iconic mayor Sánchez Gordillo hold on to the dream against the depredations of the world beyond his village?
In a time when making money has got itself a bad name, when public distaste for fat cats and conglomerate brands is at an all-time high, becoming a social entrepreneur looks increasingly attractive. This book can show you how to go about becoming one.
This collection calls for greater attention to the need for a clearer understanding of the role of discourse in the process of placemaking in the digital age and the increasing hybridisation of physical and virtual worlds. The volume outlines a new conceptualisation of place in the time of smartphones, whose technological and social affordances evoke placemaking as a collaborative endeavour which allows users to create and maintain a sense of community around place as shareable or collective experience. Taken together, the chapters argue for a greater emphasis on the ways in which users employ discourse to manage this physical-virtual interface in digital interactions and in turn, produce â€...
The Hottest 100 is a national institution. For 30 years, triple j has held an annual countdown of its listeners' 100 favourite songs of the year, as voted by the public. It has evolved into the single most anticipated musical event of every year for millions of Australians. The Hottest 100 is so much more than music. It's beaches, barbeques, and bonfires. It's joy and despair, drama and debate, friendship and community. This book is a celebration of everything that makes the world's greatest musical democracy so damn iconic. Shoulda Been Higher is the definitive account of the Hottest 100 - a comedic chronicle and love letter. It's the complete picture from Augie March to Ziggy Alberts, 'Amazing' to 'Zombie'.
A Melbourne sound that is at once both rakish and debonair. So what specifically is it about Melbourne that, according to the Sydney Morning Herald, it’s able to support around 465 live music venues as compared to 453 in New York, 385 in Tokyo and 245 in London despite its population being a fraction of those major world cities? Despite the flaky weather, the footy and Netflix, Melbournians are committed to going out at night and in great numbers in heat or hail to listen to live music and to find those bands and singers they’ve heard on Spotify or discovered on Soundcloud.
Daddy Who? is the story of a phenomenon, a band that in eighteen short months changed the course of Australian rock history. Author and musician Craig Horne was with Daddy Cool every inch of the way. With an insider's view, he tracks the journey from when they burst onto the scene in October 1970, with their infectious doo-wop mayhem, and follows their rapid rise to the top—when they were on the front cover of every newspaper and rock magazine in the country, and when radio churned out hits like 'Eagle Rock', 'Come Back Again' and 'Hi Honey Ho!' virtually nonstop. The book reveals the madness of Daddy Cool's three US tours, from their showcase performance at LA's Whisky A Go Go, to New York's famed Madison Square Garden, and supporting the likes of Elvin Bishop, Fleetwood Mac, Deep Purple, Little Feat and Captain Beefheart. "Daddy Who? is the first book to tell the complete story of the enduring legacy of one of the most unique and much loved bands Australia has ever produced. Daddy Cool are one of the most impressive bands I've ever heard ... And 'Eagle Rock' is one of my favourite tracks of all time." — Sir Elton John, 1975
During the 90s, Melbournes warehouse party scene was at its peak. Every weekend in Techno City, thousands of ravers expressed their freedom through music, ecstasy and dancing the Melbourne shuffle. Techno Shuffle traces raves evolution from tiny underground clubs to vast waterfront wonderlands sparkling with creativity. We meet the personalities and places that shaped a subculture and we learn how bitter rivalries, the internet and a city on the move ultimately tore the scene apart. Techno Shuffle unfolds against a backdrop of post-war migration, gay and lesbian rights, the AIDS crisis, Australian drinking culture, the Melbourne gangland killings and the global ascendancy of dance music. During these anxious times in our post-truth age, 90s rave teaches us the value of freedom, community and respect. Let the party begin.
A juicy piece of trivia is like a beautiful fresh cut of protein. It needs to be handled just right. Some fillets of trivia work well as a question, others are best posed as a ‘Did you know’. Some have so much flesh on them that they are better served up as a whole story or essay. That is what you will find between these pages, a smorgasbord of trivia treats to feast upon. Like a buffet on a cruise ship, you can start at the beginning and work your way along, you can push in at any point for the one tasty treat that you want, or you can fill a small plate and come back over and over again. This is possibly the most complete book of Rock Trivia ever compiled and the morsels will astonish ...