You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Discusses the relation of Venetian color to social, cultural, and environmental factors
Paul Hill was a well-respected NASA scientist when, in the early 1950s, he had a UFO sighting. Soon after, he built the first flying platform and was able to duplicate the UFO's tilt-to-control maneuvers. Official policy, however, prevented him from proclaiming his findings. "I was destined," says Hill, "to be as unidentified as the flying objects." For the next twenty-five years, Hill acted as an unofficial clearinghouse at NASA, collecting and analyzing sightings' reports for physical properties, propulsion possibilities, dynamics, etc. To refute claims that UFOs defy the laws of physics, he had to make "technological sense... of the unconventional object." After his retirement from NASA, Hill finally completed his remarkable analysis. This book, published posthumously, presents his findings that UFOs "obey, not defy, the laws of physics." Vindicating his own sighting and thousands of others, he proves that UFO technology is not only explainable, but attainable.
This book will appeal not only to all students of Italian Renaissance painting but also to everyone interested in representational painting in general, for it offers a new perspective on the appreciation of works of art.
This wide-ranging book elucidates the symbolism of veils and highlights the power of drapery in Italian art from Giotto to Titian. In the cities of the Renaissance, display of luxury dress was a marker of status. Florentines decked out their palaces and streets with textiles for public rituals. But cloths are also the stuff of fantasy: throughout the book, the author moves from the material to the metaphorical. Curtains and veils, swaddling and shrouds, evoke associations with birth and death. The central chapters address the sculpture of Ghiberti and Donatello, focusing on how they deployed drapery to dramatic effect. In the final chapters the focus shifts to the paintings of Bellini, Lotto, and Titian, where drapery both clothes the figures and composes the picture. In the work of Titian, the veiled presence of the body is absorbed within the materials of oil-paint on canvas: medium and subject become one.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Thousand Hills: Rwanda's Rebirth and the Man Who Dreamed It is the story of Paul Kagame, a refugee who, after a generation of exile, found his way home. Learn about President Kagame, who strives to make Rwanda the first middle-income country in Africa, in a single generation. In this adventurous tale, learn about Kagame’s early fascination with Che Guevara and James Bond, his years as an intelligence agent, his training in Cuba and the United States, the way he built his secret rebel army, his bloody rebellion, and his outsized ambitions for Rwanda.
The historian and archeologist presents a vivid and comprehensive account of warfare in early Medieval England. In this compelling new study, Paull Hill reveals what documentary records and the growing body of archaeological evidence can tell us about war and combat in the age of the great Anglo-Saxon kings. The violent centuries before the Norman Conquest come to life in this detailed account of how and why the Anglo-Saxons fought, how their warriors were armed and trained, how their armies were organized, and much more. The role of combat in Anglo-Saxon society is explored, from the parts played by the king and the noblemen to the means by which the men of the fyrd were summoned to fight i...
This book offers a concise and highly readable account of the visual art of David Jones (1895-1974). It challenges the simplistic view of Jones as an outsider or an eccentric, exploring his work instead in relation to the wider cultural and intellectual climate of his times.
Operating outside the commercial boundaries of Hollywood cinema, alternative and independent filmmakers have much to offer the discriminating viewer. Yet they struggle for a place in the popular culture, and even more for recognition by the scholarly community. The specific aim of this book is to provide much-needed critical examination of titles, particularly those by British filmmakers. In-depth commentary from such acclaimed writers as Maitland McDonagh, Jasper Sharp, Johannes Schonherr and Marcus Stiglegger considers filmmakers who work at the very heart of the independent medium, giving the reader specific insight into alternate cinema and the struggles its filmmakers endure. Featured are interviews with both rising and established filmmakers, including the infamous Guy Maddin and Herschell Gordon Lewis. Finally, this collection of interviews and essays boasts a 20th anniversary retrospective on the British cult classic The Company of the Wolves, complete with an exclusive interview with director Neil Jordan.