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American Dreams
Williams College, in Williamstown, MA, has collected art since the mid-19th century. In this chronological journey through American art in all media, each of 56 highlighted objects from the museum receives a mini-essay of several hundred words, signed by contributors who frequently are the acknowledged experts on particular artists or works. A full factual entry on each work appears at the back of the book, preceded by extremely brief summaries of the acquisitions histories of the overall collection's painting, drawing, sculpture, Williams portraits, prints, photographs, posters, and decorative arts. College alumni donated many items, including collections on Rube Goldberg, Thomas Nast, and the Prendergasts. This is not the definitive book on American art, but it is an excellent survey with many interesting objects not commonly reproduced. For art history collections. 64 colour & 65 b/w illustrations
The Physical Tourist
Travelers differ.At one extreme are random travelers who see what they accidentally bump into.At the other extreme are the lock-step travelers who follow a banner (or a red umbrella) and look when and where a voice tells them to look. Between these extremes are the guide-book travelers who identify the whereabouts of those sites that interest them and they plan their sightseeing accordingly. If a traveler’s interests are captivated by the arts, guide books can be very helpful. For example, the table of contents of a current guide book for travelers going to G- many has sections on architecture, art, literature, music and cinema.The index gives page references for famous writers, musicians, and artists.Yet, while Germany was a dominate force in physical science during the 19th and into the 20th centuries and while the names and photos of prominent German physical scientists who worked in this period are sprinkled through the pages of textbooks, only one scientist is m- tioned by name:Albert Einstein is identified as the most famous citizen of Ulm.
Telepresence & Bio Art
"Eduardo Kac's work represents a turning point. What it questions is our current attitudes to creativity, taking that word in its most fundamental sense." -Edward Lucie-Smith, author of Visual Arts in the 20th Century "His works introduce a vital new meaning into what had been known as the creative process while at the same time investing the notion of the artist-inventor with an original social and ethical responsibility." -Frank Popper, author of Origins and Development of Kinetic Art "Kac's radical approach to the creation and presentation of the body as a wet host for artificial memory and 'site-specific' work raises a variety of important questions that range from the status of memory i...
What If the Bible Had Never Been Written?
But the Bible, more than any other book, is also the most maligned on the market. Many of the cities of our culture dismiss the Word of God. In What If the Bible Had Never Been Written?, D. James Kennedy and Jerry Newcombe show that this collection of books was indeed the inspiration for almost all of the great explorers, scientists, writers, artists, politicians, and educators the world has ever known. That such a book, which has influenced so many and stood the test of time for so long, is dismissed as folklore or myth, just goes to show what extremes nonbelievers will go to rationalize their behavior. From the Ten Commandments, which many of our laws and government are based upon, to the Golden Rule, a verse taken straight out of the New Testament, to many of today's most common phrases and expressions...there is no doubt as to the influence the Bible has on everyone, in some degree, every day. What If the Bible Had Never Been Written? provides a well-documented and in-depth look at the impact the Book of Books has had on humanity, pointing to specific areas in today's society that would not be as they are now, if it were not for the Bible.
Everything's Relative
The surprising truth behind many of the most cherished "facts" in science history Morse invented the telegraph, Bell the telephone, Edison the light bulb, and Marconi the radio . . . right? Well . . . the truth is slightly more complicated. The history of science and technology is riddled with apocrypha, inaccuracies, and falsehoods, and physicist Tony Rothman has taken it upon himself to throw a monkey wrench into the works. Combining a storyteller's gifts with a scientist's focus and hardheaded devotion to the facts-such as they may be-Rothman breaks down many of the most famous "just-so" stories of physics, astronomy, chemistry, biology, and technology to give credit where credit is truly...
History of the Portrait Collection, Independence National Historical Park
This volume provides a history and catalog of the portraits by Charles Willson Peale, who painted heroes of the American revolution, founders of American government, statesmen, jurists, men of science, and individuals who contributed art and letters. The three chapters by Fanelli (Cultural Resources Management, Independence National Historical Park) discuss the collection from its inception through the period in which the shrine that housed it became a museum. Each of the 250 entries (mostly b&w, with a few in color) in the catalog includes a brief biography of the subject, a physical description of the painting, the circumstances under which it was created, and its provenance. They are arranged alphabetically by sitter. Edited by Karie Diethorn, chief curator, Independence National Historical Park, Philadelphia, Pennsylvania. Annotation copyrighted by Book News, Inc., Portland, OR
Academy Hill
None
Seeing High and Low
Publisher Description
American Stories
They also consider the artists' responses to foreign prototypes, travel and training, changing exhibition venues, and audience expectations. The persistence of certain themes--childhood, marriage, the family, and the community; the attainment and reinforcement of citizenship; attitudes toward race; the frontier as reality and myth; and the process and meaning of making art--underscores evolving styles and standards of storytelling. Divided into four chronological sections, the book begins with the years surrounding the American Revolution and the birth of the new republic, when painters such as Copley, Peale, and Samuel F. B. Morse incorporated stories within the expressive bounds of portraiture. During the Jacksonian and pre-Civil War decades from about 1830 to 1860, Mount, Bingham, Lilly Martin Spencer, and others painted genre scenes featuring lighthearted narratives that growing audiences for art could easily read and understand.
