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This striking gift book features luminous photos of world-renowned glass artist Paul Stankard's astonishing art paired with insightful writing for all who seek out and appreciate creative energy. Stunning, full-page photos of Stankard's paperweights show fascinating worlds: bees captured in flight, botanically exact bouquets, and miniature humanlike creatures are captured in bursting color. His unmatched technical skill is one half of what has made Stankard a master in glass art; the other half is his artistry, which he explores his insights on, sharing his thoughts about the energy behind the pieces. Stankard discusses key topics for all artists, such as building a routine, learning from failure, and fusing spirituality and artmaking. Stories of his own challenges and successes through the decades offer examples of how to navigate both with an open mind and readiness to learn. Collectors and aficionados of fine craft will enjoy this immersive experience in fine art, and especially in what leads up to it.
No Green Berries or Leaves is a collection of autobiographical essays by Paul J. Stankard, recognized widely as one of the world's master glass artists. Stankard is particularly renowned and respected for his flameworked floral motifs expressed in crystal paperweights, rectangular columns, and orbs. Stankard was trained in scientific glassblowing and worked in industrial scientific glass during most of the 1960s. Challenged by an inner sense of creativity and the need to establish his creative independence, he started making paperweights in the early 1970s. Attracted to the emerging studio glass movement, recognized as a maker of fine paperweights, and driven by an intense and incessant purs...
Since childhood, nature has always been important to Paul Stankard, and now as the world's leading glass paperweight artist, this interest has become the defining signature of his work. Flowers such as roses, lilacs, and orchids are depicted as are a host of fantasy flowers that the artist creates in his studio, located in southern New Jersey. To look at a Stankard paperweight is to be momentarily fooled into believing that the artist has preserved a living flower in glass, when, in fact, he has created one entirely from spun filaments. Words, too, play a role, again reinforcing natural processes. Here the artist creates mosaic word canes, spelling out words like seed, wet, and scent, to nam...
Spark the Creative Flame is a resource that strives to inform, inspire, and motivate all who work in craft and wish to improve the creative expression of their work. While the book features flameworked glass and artisans who do this work, the insights and recommendations presented transcend material and speak to broader issues relevant to all creative craftspeople. The book is made up of three parts. The first consists of three essays by scholar-artists that consider the recent history of craft; the relationships among craft, design, and art; and the many facets of beauty. Section two presents a retrospective on the 50-year career of internationally acclaimed artist Paul J. Stankard. The third provides overviews of the careers of twelve contemporary glass artists. Collectively, the reader is presented with insightful perspectives on the aspirations, strategies, challenges, and accomplishments of a representative sample of internationally respected flameworking artists.
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Here is the first comprehensive survey of modern craft in the United States. Makers follows the development of studio craft--objects in fiber, clay, glass, wood, and metal--from its roots in nineteenth-century reform movements to the rich diversity of expression at the end of the twentieth century. More than four hundred illustrations complement this chronological exploration of the American craft tradition. Keeping as their main focus the objects and the makers, Janet Koplos and Bruce Metcalf offer a detailed analysis of seminal works and discussions of education, institutional support, and the philosophical underpinnings of craft. In a vivid and accessible narrative, they highlight the value of physical skill, examine craft as a force for moral reform, and consider the role of craft as an aesthetic alternative. Exploring craft's relationship to fine arts and design, Koplos and Metcalf foster a critical understanding of the field and help explain craft's place in contemporary culture. Makers will be an indispensable volume for craftspeople, curators, collectors, critics, historians, students, and anyone who is interested in American craft.
Illustrated with 200 stunning photographs and encompassing objects from furniture and ceramics to jewelry and metal, this definitive work from Jo Lauria and Steve Fenton showcases some of the greatest pieces of American crafts of the last two centuries. Potter Craft
"For more than 75 years, the Penland School of Crafts has attracted the most creative crafters from across the globe. This ... focuses on glass and the ten top contemporary flameworkers who have taught at the school, all of whom have areas of expertise that make them leaders in their field. These skilled masters offer a very personal perspective on their influences and work, with revelatory essays that give their views on flameworking and art in general. In photographic how-to sections of about 25-30 captioned images, each one demonstrates a particular technique, usually resulting in a finished piece."--Global Books in Print.
Team Chihuly describes the relationship and developement between master glassblower Dale Chihuly as well as other renowned artists including Dante Marioni, Benjamin Moore, William Morris, and Richard Royal as well as Italian Glass Masters, Pino Signoretto and Lino Tagliapietra.