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Macbeth
This is the most extensively annotated edition of Macbeth currently available, offering a thorough reconsideration of one of Shakespeare's most popular plays. A full and accessible introduction studies the immediate theatrical and political contexts of Macbeth's composition, especially the Gunpowder Plot and the contemporary account of an early performance at the Globe. It treats such celebrated issues as whether the Witches compel Macbeth to murder; whether Lady Macbeth is herself a witch; whether Banquo is Macbeth's accomplice in crime and what criticism is levelled against Macduff. An extensive, well-illustrated account of the play in performance examines several cinematic versions, such as those by Kurosawa and Roman Polanski, and other dramatic adaptations. Several possible new sources are suggested, and the presence of Thomas Middleton's writing in the play is proposed. Appendixes contain additional text and accompanying music.
The Correspondence of Edward Gordon Craig and Count Harry Kessler, 1903-1937
This long-awaited edition brings together for the first time 366 letters, cards and telegrams exchanged between Craig and his patron the cosmopolitan Count Kessler. An important primary source, illuminated by Dr Newman's commentary, it focuses on three areas of particular importance: - 1. Craig's artistic ideas and the spread of his influence through exhibitions and books; proposals are developed for work with Otto Brahm, Eleonora Duse, Max Reinhardt, Henry van de Velde, Eduard Verkade, Leopold Jessner, Dyaghilev, Beerbohm Tree, C. B. Cochran, and others. 2. Kessler's Cranach Press Hamlet with wood-engraved illustrations by Craig; this is a landmark in the history of twentieth-century book design and printing whose genesis is now fully revealed in these letters and amplified with reproductions of eighteen trial page proofs. 3. The relationship between an artist and his patron. Exceptionally detailed indexes are an additional feature of this book
Margaret Anglin
From Margaret Anglin's birth in 1876 in the Speaker's suite of the Canadian House of Commons, to her death in Toronto in 1958, Margaret Anglin: A Stage Life is a lively biography researched from personal sources and theatre periodicals of the times. Author John Le Vay gives us glimpses of the rich and colourful personal life behind the stage persona. Called ""Canada's greatest actress"" by Herbert Whittaker, Margaret Anglin succeeded in winning critical acclaim for her sensitive portrayals in Shakespearean comedy and Greek tragedy. In more contemporary productions she was praised for her work with actor-managers James O'Neill, E.H. Sothern, Richard Mansfield, and Henry Miller, and playwrights Somerset Maugham, H.A. Jones, and Paul Kester.
Art Isn't Easy
"Tracing Sondheim's career from his initial success as lyricist for West side Story and Gypsy to the opening of Into the Woods, [the author] demonstrates that the value of Sondheim's work obviously lies in its seriousness of theme coupled with its disturbing content." - Front flap
Believing in Opera
The staging of opera has become immensely controversial over the last twenty years. Tom Sutcliffe here offers an engaging and far-reaching book about opera performance and interpretation. This work is a unique tribute to the most distinctive and adventurous achievements in the theatrical interpretation of opera as it has developed in recent decades. Readers will find descriptions of the most original and successful avant-garde opera productions in Britain, Europe, and America. Sutcliffe beautifully illustrates how updating, transposition, or relocation, and a variety of unexpected imagery in opera, have qualified and adjusted our perception of the content and intention of established masterp...
Nightmare in Detroit
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Bric-a-brac
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Theatrical Costume, Masks, Make-Up and Wigs
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Crossroads
Contains selections of papers from the annual Symposium on Portuguese Traditions.
