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The Red Count
"A richly contextualized portrait of a key Weimar figure, who deserves to be better known. Easton is a lively writer."—Martin Jay, University of California, Berkeley "Provocative and original. The Red Count should be welcomed by a growing number of cultural historians interested in reassessing the politics of European modernism and in current debates about the trajectory of German political culture and cultural politics in the decades before the rise of fascism."—Kevin Repp, Yale University "A major addition to understanding the cultural contributions Germany made to the modernist impulse, especially in the years before 1914. Kessler’s numerous activities, as delineated by the author, attest to the cosmopolitanism of many within Germany’s urban, liberal elite. The Red Count is extremely well-written. Easton’s prose is fluid, colorful, and eminently readable. " —Marion Deshmukh, George Mason University
Harry Graf Kessler
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Journey to the Abyss
These fascinating, never-before-published early diaries of Count Harry Kessler—patron, museum director, publisher, cultural critic, soldier, secret agent, and diplomat—present a sweeping panorama of the arts and politics of Belle Époque Europe, a glittering world poised to be changed irrevocably by the Great War. Kessler’s immersion in the new art and literature of Paris, London, and Berlin unfolds in the first part of the diaries. This refined world gives way to vivid descriptions of the horrific fighting on the Eastern and Western fronts of World War I, the intriguing private discussions among the German political and military elite about the progress of the war, as well as Kesslerâ...
The Correspondence of Edward Gordon Craig and Count Harry Kessler, 1903-1937
This long-awaited edition brings together for the first time 366 letters, cards and telegrams exchanged between Craig and his patron the cosmopolitan Count Kessler. An important primary source, illuminated by Dr Newman's commentary, it focuses on three areas of particular importance: - 1. Craig's artistic ideas and the spread of his influence through exhibitions and books; proposals are developed for work with Otto Brahm, Eleonora Duse, Max Reinhardt, Henry van de Velde, Eduard Verkade, Leopold Jessner, Dyaghilev, Beerbohm Tree, C. B. Cochran, and others. 2. Kessler's Cranach Press Hamlet with wood-engraved illustrations by Craig; this is a landmark in the history of twentieth-century book design and printing whose genesis is now fully revealed in these letters and amplified with reproductions of eighteen trial page proofs. 3. The relationship between an artist and his patron. Exceptionally detailed indexes are an additional feature of this book
Harry Kessler
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In the Twenties
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The Diaries of a Cosmopolitan 1918-1937
Known as the Red Count' because of his fiercely republican views, Count Harry Kessler was intensely involved in the art, politics and society of Weimar Germany. A writer of sharp perception and boundless curiosity, Harry Kessler wrote down everything as it happened. The diaries encompass an extraordinary variety of people. Josephine Baker dances naked in his drawing-room, Einstein engages him in long discussions about his theories, George Grosz contacts him from underground during the political troubles. Asquith and Cocteau, Diaghilev and Gide, Lloyd George and Richard Strauss, Rodin and Bernard Shaw, Eric Gill and Hugo von Hofmannsthal, Virginia Woolf and Paul Valery, are among the people he knew and observed. He took a keen interest in politics. Alongside his artistic adventures are accounts of street fighting, the Spartacus uprising, the murder of Rosa Luxemburg, government upheavals, international disputes, elections and assassinations.
Harry Graf Kessler: Notes on Mexico
Notes of a visit to Mexico from November 1896 to January 1897.
