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Few English language speakers are going to acquire native fluency in French. Some do manage that incredible feat, but most people learning French, want to get somewhat closer to that elusive native-speaker status. This little book takes you a few steps further along that life-long journey. In the section on grammar, we propose a new and better way to tell the use of the passé simple or passé composé and the imparfait. There really are differences in causal conjunctions (parce que/car/comme/puisque). The agreement of the past participle of pronominal verbs (Elle s'est coupée au doigt) is explained clearly. The purpose of this work, like that of second-language teachers, is to inspire students to seek what is unique in each language and to reflect on the relationship and interplay between them.
Socken analyzes the shape and direction of Poulin's creation narratives as they evolve in the novels and demonstrates their presence from the earliest quasi-political Un cheval pour mon royaume to the highly introspective Le Vieux Chagrin. The novels move from an outer-directed concept of the lost paradise as a state to be attained beyond the self to a sense of the lost paradise as the kingdom within, achievable first on the individual level as self-knowledge and only afterwards on the social level. Poulin introduces the theme of the soul and his personal concept of it, as the soul for him is proof of the inner life that embodies the qualities of tranquility and tenderness associated with the lost paradise. Lost paradise literature is universal and timeless. Poulin's portrayal is placed in historical context so that his contribution to the genre can be fully appreciated. Referring to studies by such critics as Mircea Eliade, Northrop Frye, Jerome S. Bruner, and Jack J.
Henry Schogt met his wife, Corrie, in 1954 in Amsterdam. Each knew the other had grown up in the Netherlands during World War II, but for years they barely spoke of their experiences. This was true for many people — the memories were just too painful. Years later, Henry and Corrie began to piece their memories together, to untangle reality from dreams. Their intent was to help others understand what had happened then, and how it influenced and affected not only their lives but those of all who survived. The seven stories in The Curtain reveal how two families — one Jewish, one non-Jewish — fared in the Netherlands during the German occupation in World War II. Each vignette highlights a...
Since religion in general and Judaism in particular are relevant in the twenty-first century, this book serves as an assessment of the Talmud's role in our religious and educational experience. This collection of essays demonstrates that the two-thousand-year-old Talmud remain...
Judaism is often described as a religion that tolerates, even celebrates arguments with God. In Pious Irreverence, Dov Weiss has written the first scholarly study of the premodern roots of this distinctively Jewish theology of protest, examining its origins and development in the rabbinic age (70 CE-800 CE).
Today, globalization, migration and political polarization complicate the individual’s search for a cohesive identity, making identity formation and transformation key issues in everyday life. This collection of essays highlights a number of the dimensions of identity, including cultural hybridity, religion, ethnicity, profession, gender, sexuality, and childhood, and explores how they are thematized in different narratives. The stories discussed are set in Australia, Austria, Azerbaijan, France, Germany, Great Britain, Haiti, India, Israel, Japan, Polynesia, Norway, Romania, Spain and South Africa, emphasizing today’s international focus on identity. The majority of the contributions here focus on literary texts, while others investigate identity formations in interviews, language corpora, student reading logs, film, theatre and pathographies.
The stranger (survenant) represents an important theme in Quebec literature of the second half of the twentieth century. This book analyses the role of the survenant in five major novels dating from 1945 to 1992 and shows how the theme is constantly reworked and revitalised by the authors selected. The arrival of a survenant in a community brings to the surface the conflicts and tensions which had been latent. The consequences can be tragic for all concerned. At the least the community is changed forever. This is the first study of the way in which different Quebecois authors treat the survenant and should be of interest to all students of Quebec literature and culture.
This book brings together for the first time nine groundbreaking historical novels by women from the United States, Canada and Latin America, united by their focus on female adventurers. These novels introduce the neglected women of history, real and imagined, who accompanied their menfolk to the New World, and enabled its settlement or colonisation. Familiar novelists include Isabel Allende, Audrey Thomas and Jane Smiley, but this book also introduces less familiar writers who have produced richly textured and densely historical novels. In addition to putting women back into history, these writers engage with the literature of the past, including the American canon of male fiction which dominated literary history before the intervention of feminist scholars. The book begins with an introduction to the history of historical fiction and provides a theoretical, historical and geographical context for the novels themselves.
Essays in this volume honor Richard L. Kalmin, one of the leading scholars of rabbinic literature. Volume contributors explore a variety of topics related to Kalmin’s wide-ranging work from the development of the Talmud to rabbinic storytelling, from the transmission of tales across geographic and cultural boundaries to ancient Jewish and Iranian interactions. Many of the essays reflect current trends in how scholars use ancient Jewish literary sources to address questions of historical import. Contributors include Carol Bakhos, Beth A. Berkowitz, Noah Bickart, Robert Brody, Joshua Cahan, Shaye J. D. Cohen, Steven D. Fraade, Shamma Friedman, Alyssa M. Gray, Judith Hauptman, Christine Hayes, Catherine Hezser, Marc Hirshman, David Kraemer, Marjorie Lehman, Kristen Lindbeck, Jonathan S. Milgram, Chaim Milikowsky, Michael L. Satlow, Marcus Mordecai Schwartz, Seth Schwartz, Burton L. Visotzky, and Sarah Wolf.
After the linguistic and the affective turns, the new materialist and the performative turns, the cognitive and the posthuman turns, it is now time to re-turn to the ancient, yet also modern and still contemporary realization that humans are mimetic creatures. In this second installment of the Homo Mimeticus series, international scholars working in philosophy, literary theory, classics, cultural studies, sociology, political theory, and the neurosciences engage creatively with Nidesh Lawtoo’s Homo Mimeticus: A New Theory of Imitation to further the transdisciplinary field of mimetic studies. Agonistic critical engagements with precursors like Plato, Aristotle, Nietzsche, Bataille, Irigaray and Girard, involving contributions by leading international thinkers such as Mikkel Borch-Jacobsen, William E. Connolly, Henry Staten and Vittorio Gallese among many others, reveal the urgency to rethink mimesis beyond realism. From imitation to identification, mimicry to affective contagion, techne to simulation, mirror neurons to biomimicry, homo mimeticus casts a shadow—but also a light—on the present and future, from social media to the Anthropocene.