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Rugby World Cups - 2003 and 2015
History was made on November 22 2003 - England was crowned the World Champion. Everything was ready for rugby to explode in England, for the national team to kick-on, for the level of the domestic game to continue growing and for the sport to truly become prominent nationwide. It did not eventuate. England lost far too many matches and the Aviva Premiership does not match the French Top 14. The result for Rugby World Cup 2015 is a match schedule allocating more games to Wales than to the north of England. Understanding how this came about and also how and why Wales secured matches is an important part of the puzzle and carries substantial implications for future Rugby World Cups. Local and global issues including decision making, rival sports and nationalized players are all tackled in an analysis that seeks to offer realistic and viable solutions for the benefit of English and global rugby.
Boston Dialect
Designed to capture Paul Tait's thought process\inspiration process as he wrote from poem to poem, "e;Boston Dialect Volume I"e; purposely runs the poems end to. With just a space or a flourish\date to separate them, none originally had a title.For the published edition, Paul created titles for each work to allow for a Table of Contents; easing navigation for readers.Also, he has split the book into two volumes as current limitations on how much a living poet ought to publish at once make the entire work unreviewable (too much for even the most post-modern mind to handle). One day they will be combined and presented in the correct manner Tait designed them to be.More than anything else, "e;Boston Dialect Volume I"e; illustrates the mind of a creative agent as it travels from expression to expression.
Boston Dialect
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Rugby World Cup Argentina 2023
Argentina made history at Rugby World Cup 2007 by finishing third in the world. The South American nation finished the World Cup ahead of traditional powers including Australia, Ireland, New Zealand, Scotland, Wales and hosts France - all have previously hosted matches in multiple World Cup tournaments. In finishing third in 2007, Argentina became the only Rugby World Cup semi finalist who has not yet hosted a Rugby World Cup.Since then rugby has undergone significant changes to at last adjust to professionalism. Now a part of The Rugby Championship Argentina is a rugby nation in rapid transition and Argentina has officially been accepted as an elite team backed by a responsible union. With England hosting in 2015 and Japan in 2019, it will be time for a Southern Hemisphere country to host in 2023. By 2023 Oceania would have hosted three World Cup's, Africa one, Asia one and Europe four and the Americas zero. Rich in tradition and packed with talent Argentina 2023 is certain to be a roaring success.
The Official Birmingham City Quiz Book
Are you a loyal Blues supporter? Never missed a match and think you know all there is to know about your favourite team? If so, have a go at tackling the 1,000 brain teasing questions in this quiz book, each one cleverly thought out to test your memory of the people and places that have shaped the history of Birmingham City Football Club. With sections on all aspects of the game including players, managers, scores, transfer fees, opponents, competitions, wins, draws and losses, you just won't be able to put this book down. Whether you want to impress your family with some little known facts or challenge your mates, The Official Birmingham City Quiz Book is a must have for football fans of all ages and is certain to provide hours of fun. This fitting tribute to the Blues is both educational and entertaining. So dip inside the cover and check up on all those important details about the team you didn't realise you had forgotten.
The Great European Stage Directors Volume 6
This volume examines the work of Joan Littlewood, Giorgio Strehler and Roger Planchon, demonstrating how these 3 directors take up key aesthetic prompts from earlier innovators – Stanislavski, the modernist avant-garde and not least Brecht – and thereby prepare the ground for contemporary, politically-engaged 'directors' theatre'. It argues that, in creating their major productions in the prosperous 'glorious decades' that followed the devastation of the Second World War, they represent a first expressly 'European' generation of theatre directors. Revisiting works from the classical dramatic canon by drawing on popular theatre traditions, and reaching out to spectators beyond the educated middle-class elite, they put theatre in the service of uniting a traumatized continent. This study posits that for Littlewood, Strehler and Planchon, theatre has the capacity to create communities.
The Great European Stage Directors Volume 5
This volume provides a fresh assessment of the pioneering practices of theatre directors Jerzy Grotowski, Peter Brook and Eugenio Barba, whose work has challenged and extended ideas about what theatre is and does. Contributors demonstrate how each was instrumental in rethinking and reinventing theatre's possibilities: where it takes place – whether in theatres or beyond – and who the audience might then be, as well as how actors train and perform, highlighting the importance of the group and collaboration. The volume examines their role in establishing intercultural dialogues and practices, and the wider influence of this work on theatre. Consideration is also given to each director's documentation of their practice in print and film and the influence this has had on 21st-century performance.
The Great European Stage Directors Volume 8
This volume foregrounds Pina Bausch, Romeo Castellucci and Jan Fabre as 3 leading directors who have each left an indelible mark on post-war European theatre. Combining in-depth discussions of the artists' poetics with detailed case studies of several famous and lesser-known key works, the authors featured in this volume trace a range of foundational aesthetic strategies that are central to the directors' work: the dynamics of repetition vis-à-vis fragmentation, the continued significance of language in experimental theatre and dance, the tension between theatricality and the performative reality of the stage, and the equal importance attached to text, image and body. This volume develops a vivid picture of how European stage directors have continued to redefine their own position and role throughout the latter half of the 20th century.
The Great European Stage Directors Volume 2
This volume surveys and assesses the contributions of Vsevolod Meyerhold, Erwin Piscator and Bertolt Brecht to theatre-making, which richly exemplify the range of ways that directors address dramatic material, theatrical space and their audiences. Their directorial work marks an unmistakeable interest in developing the political potential of theatre in the early 20th century, although each director offered more to their actors, collaborators and spectators than simply the staging of politics and the political.
