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Mastering the Revels traces the measures taken by the governments of Elizabeth I, James I, and Charles I to regulate the new phenomenon of fixed playhouses and resident playing companies in London, and to censor their plays. It focuses on the Masters of the Revels, whose primary function was to seek out theatrical entertainment for the court but whose role expanded to include oversight of the players and their playhouses. The book proceeds chronologically, tracking each of the Masters in the period—Edmund Tilney (served 1579-1610), Sir George Buc (1610-22), Sir John Astley (1622-3), and Sir Henry Herbert (1623-1642). Tilney was the first to receive a Special Commission giving him wide-rang...
Rough Guides' bestselling, inspirational travel ebook, featuring 1000 unique experiences around the globe. Make The Most Of Your Time On Earth is the product of the combined travel experience of Rough Guides' authors over the last 30 years, each an expert in his or her own territory. Our authors have cherry-picked their favourite experiences from their travels to inspire yours - making this the perfect book for planning your next big adventure, or just dreaming of future travels. The third edition has been fully revised, with stunning, brand-new colour photos throughout, and a wealth of new writing, from taking breakfast in a Burmese teahouse to witnessing the world's most intense storms in Venezuela. Entries are divided into regions, so it's easy to go straight to the part of the world you're interested in, and all the nitty-gritty practical information you'll need to find out more is contained in the "Need to know" sections at the end of each chapter. Packed full of inspiring ideas and beautiful photography, Make The Most Of Your Time On Earth is pure escapism for active travellers and armchair fantasists alike.
Combining the most extraordinary aspects of both wild and cosmopolitan New Zealand, this Rough Guide offers unparalleled coverage of activities and accommodations. of color photos. 80 maps.
Argues that England's earliest Protestants were involved in drama as patrons, playwrights, performers and spectators.
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In this comprehensive volume of the collected writings of James Monroe Whitfield (1822-71), Robert S. Levine and Ivy G. Wilson restore this African American poet, abolitionist, and intellectual to his rightful place in the arts and politics of the nineteenth-century United States. Whitfield's works, including poems from his celebrated America and Other Poems (1853), were printed in influential journals and newspapers, such as Frederick Douglass's The North Star. A champion of the black emigration movement during the 1850s, Whitfield was embraced by African Americans as a black nationalist bard when he moved from his longtime home in Buffalo, New York, to California in the early 1860s. Howeve...
The terrible Pirate McSnottbeard is BACK - and this time he's brought alien slug monsters. Forced to rescue their parents once more, Emilie and her brother Will blast off for an adventure in space. Faced with dragons, robots, vegetables and a battle inside a computer game, still nothing can prepare them for the most dreadful thing of all: Pirate McSnottbeard's singing ... The second book in Paul Whitfield's Pirate McSnottbeard series, fully illustrated and packed with laugh-out-loud jokes.
In Signifying God, Sarah Beckwith explores the most lavish, long-lasting, and complex form of collective theatrical enterprise in English history: the York Corpus Christi plays. First staged as early as 1376, the plays were performed annually until the late 1500s and involved as much as a tenth of the city in multiple performances at a dozen or more locations. Introducing a radical new understanding of these plays as "sacramental theater," Beckwith shows how organizing the plays served as a political mechanism for regulating labor, and how theater and sacrament combined in them to do important theological work. She argues, for instance, that the theology of Corpus Christi in the resurrection plays can only be understood as a theatrical exploration of eucharistic absence and presence. Beckwith frames her study with discussions of twentieth-century manifestations of sacramental theater in Barry Unsworth's novel Morality Play and Denys Arcand's film Jesus of Montreal, and the connections between contemporary revivals of the York Corpus Christi plays and England's heritage culture.
Through an investigation of the dedications and addresses from various printed plays of the English Renaissance, David Bergeron recuperates the richness of these prefaces and connects them to the practice of patronage. The study includes discussion of plays by Shakespeare and his contemporaries, among them Marston, Jonson, and Heywood, as well as a chronological checklist of the dramatic prefaces here analyzed. The book contains an Appendix that lists the plays with prefatory dedications and addresses analyzed.