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Roman Signer
"Roman Signer is an artist like no other. Although he identifies himself as a sculptor, he is best known for actions in which simple materials (rockets, balloons, rushing water) react with natural forces to yield surprisingly lyrical results. Part mad scientist, part sorcerer's apprentice, part Buster Keaton, Signer often appears in these actions, sometimes at considerable risk to himself. The real star of his works, however, is time. In works such as Sandbag with Timed Detonator (1988), an auto-destructive device featuring a plastic alarm clock that releases a heavy sandbag hanging above it, two periods of tranquil rest are bridged by an instant of sudden violence. In others the change is m...
Paloma Varga Weisz. Bumped Body
In the exhibition 'Bumped Body' by Paloma Varga Weisz (Mannheim, Germany, 1966), we're getting submerged in a new world. Bodies, whether male or female, have no fixed shape in this Alice-in-Wonderland universe. In Wilde Leute (1998), that is publicly on view for the first time in the Bonnefanten, the small terracotta figures represent curious creatures; androgynous people with animal ears. The work from 1998 shows that even in the early days of her practice Varga Weisz was trying to distance herself from identities and role patterns. In her work, Varga Weisz operates smoothly between woodcarving and ceramics, drawings and watercolours, theatrical environments, and film and sound works. With these disciplines and media she raises an enchanting world in the exhibition where peculiar creatures set the tone.00Exhibition: Bonnefantenmuseum, Maastricht, The Netherlands (06.10.2019-02.02.2020).
Environmental Humanities on the Brink
In this experimental work of ecocriticism, Vincent Bruyere confronts the seeming pointlessness of the humanities amid spectacularly negative future projections of environmental collapse. The vanitas paintings of the sixteenth and seventeenth centuries dazzlingly depict heaps of riches alongside skulls, shells, and hourglasses. Sometimes even featuring the illusion that their canvases are peeling away, vanitas images openly declare their own pointlessness in relation to the future. This book takes inspiration from the vanitas tradition to fearlessly contemplate the stakes of the humanities in the Anthropocene present, when the accumulated human record could well outlast the climate conditions...
In & Out of Amsterdam
During the 1960s & 1970s, Amsterdam was a nexus of intense art activities, drawing artists from all over the world. 'In & Out Of Amsterdam' presents more than 120 works - including works on paper, installations, photographs & films - by artists who were part of this remarkable creative culture.
Karpaten
This book presents photos taken by Roman Signer on a 2005 journey through the Carpathian Mountains, which took him to the Ukraine and Romania. The photos evidence brief stops at the side of the road and present subjects that fall into two distinct categories: home-grown fruits, vegetables and other produce for sale, carefully displayed on stools or small tables; and loving memorials of flowers, crosses and wreaths for deceased family members and friends who were road casualties. The similarity between each composition - the landscape format, the colourful centred arrangement, the consistent distance between photographer and subject - belies a deeper message: the produce suggests sustenance, growth and plenty; while the memorials are signs of tragedy and grief. Karpaten / Carpathians is thus not only a collection of travel photos, but a reflection of the human need to shape events, and a succinct story of life and death - both realities along the metaphorical road on which we all travel.
The Rise and Fall of American Art, 1940s–1980s
In The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ’peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on th...
The Rise and Fall of American Art, 1940s–1980s
This book challenges the perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. In her transnational and interdisciplinary study, Dossin analyses changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors.
