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In the downward spiral of the Third Reich's final days, a sadistic serial killer is stalking the streets of Prague. The unlikely pair of Jan Morava, a rookie Czech police detective, and Erwin Buback, a Gestapo agent questioning his own loyalty to the Nazi's, set out to stop the murderer. Weaving a delicate tale of human struggle underneath the surface of a thrilling murder story, Kohout has created a memorable work of fiction
DIVUses the under-studied genre of melodrama as a critical prism for understanding Russian/Soviet history, politics and culture--in particular, the uses to which popular culture was put in the Soviet period./div
An history that presents a canvas of post-war Czech literary developments within the cultural and political context of the times. It provides information about the many English-language translations from Czech literature, and the circumstances in which these translations came about.
It’s 1979 in Czechoslovakia, ten years into the crushing restoration of repressive communism known as normalization, and Ludvík Vaculík has writer’s block. It has been nearly a decade since he wrote his last novel, and even longer since he wrote the 1968 manifesto, "Two Thousand Words,” which the Soviet Union used as one of the pretexts for invading Czechoslovakia. On the advice of a friend, Vaculík begins to keep a diary: "a book about things, people and events.” Fifty-four weeks later, what Vaculík has written is a unique mixture of diary, dream journal, and outright fiction – an inverted roman à clef in which the author, his family, his mistresses, the secret police and leading figures of the Czech underground play major roles.
The Grddha Mullick family bursts with marvellous tales of hangmen and hangings in which they figure as eyewitnesses to the momentous events that have shaped the history of the subcontinent. When twenty-two-year-old Chetna Grddha Mullick is appointed the first woman executioner in India, assistant and successor to her father, her life explodes under the harsh lights of television cameras. When the day of the execution arrives, will she bring herself to take a life? Meera’s spectacular imagination turns the story of Chetna’s life into an epic and perverse coming-of-age tale. The lurid pleasures of voyeurism and the punishing ironies of violence are kept in agile balance as the drama hurtles to its inevitable climax.
The Dissident Politics in Václav Havel’s Vaněk Plays: Who Is Ferdinand Vaněk Anyway focuses on Ferdinand Vaněk, a semi-autobiographical character created by Václav Havel and featured in a series of nine plays written by Havel himself and three other dissident writers – Pavel Kohout, Pavel Landovský, and Jiří Dienstbier. By exploring the ‘Vaněk experience,’ Carol Strong details a multi-episodic, absurdist journey that provides an ‘insider’s view’ of the challenges facing those daring enough to question the status quo, a view that remains relevant today. Strong’s contention is that the lines found in these plays served as a ‘secret language’ of dissent in Cold War ...
Presents the post-war Czech literary developments within the cultural and political context. This book provides information about the English-language translations from Czech literature, and the circumstances in which these translations came about. It gives biographical and bibliographical details about various post-war Czech writers.
Fools and Heroes: The Changing Role of Communist Intellectuals in Czechoslovakia details two crucial years of 1948 and 1968 that marked the climax of contradictory developments, namely, the acceptance and repudiation of Soviet ideology and statecraft. Organized into three parts, this book begins with the class struggle and moral problems in Czechoslovakia. Subsequent part explores the economic problems and social history of the nation. The search for truth in terms of history, philosophy, and politics is also addressed.