You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Charles Willson Peale was not only one of our finest early American painters, but also the founder of the world's first popular museum of natural science and art.
None
Traces the life of the eighteenth-century artist, Charles Wilson Peale, discusses his study of natural history, and examines his paintings of American society.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In this richly illustrated study, the first book-length exploration of illusionistic art in the early United States, Wendy Bellion investigates Americans' experiences with material forms of visual deception and argues that encounters with illusory art shaped their understanding of knowledge, representation, and subjectivity between 1790 and 1825. Focusing on the work of the well-known Peale family and their Philadelphia Museum, as well as other Philadelphians, Bellion explores the range of illusions encountered in public spaces, from trompe l'oeil paintings and drawings at art exhibitions to ephemeral displays of phantasmagoria, “Invisible Ladies,” and other spectacles of deception. Bell...
It links the artist's autobiography to his painting, illuminating the man, his art, and his times. Peale emerges for the first time as that particularly American phenomenon: the self-made man."
The beautifully illustrated book, with 47 color plates, will restore Raphaelle Peale, eldest son of artist, naurtalist, and inventor Charles Willson Peale, to his rightful place in the annals of American art.
A fascinating overview of the Philadelphia Museum of Art's unparalleled and diverse collection of works by the Peale family, America's first artistic dynasty Active from the late 18th through the early 20th century, the Peale family was America's first artistic dynasty. This overview of the art of the Peales documents and interprets more than 160 works in a variety of media from the renowned collection of the Philadelphia Museum of Art. With discussions of both internationally famous masterworks such as Charles Willson Peale's Staircase Group and lesser-known but equally engaging pictures including Rubens Peale's Magpie Eating Cake, Carol Eaton Soltis traces the family's history and reveals ...