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Pulitzer Prize Finalist: “A stunning work of biography” about three little-known New England women who made intellectual history (The New York Times). Elizabeth, Mary, and Sophia Peabody were in many ways the American Brontës. The story of these remarkable sisters—and their central role in shaping the thinking of their day—has never before been fully told. Twenty years in the making, Megan Marshall’s monumental biography brings the era of creative ferment known as American Romanticism to new life. Elizabeth Peabody, the oldest sister, was a mind-on-fire influence on the great writers of the era—Emerson, Hawthorne, and Thoreau among them—who also published some of their earlies...
The mid nineteenth century founders of the foundation of institutionalised public accountancy in the English-speaking world were public accountants practicing in Edinburgh, Glasgow, and Aberdeen. Their historical legacy is a respected profession world-wide. This book aims to celebrate this legacy in biographies of 138 accountants.
Vol. 49, no. 9 (Sept. 1922) accompanied by a separately paged section entitled ERA; electronic reations of Abrams.
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Devoted Sisters seeks to explore - and explain - the power of the sister bond in nineteenth-century literature. Sarah Annes Brown has researched a wide range of British and American texts, including both canonical works, such as Pride and Prejudice, Little Women and Middlemarch, and fascinating but lesser known novels by authors such as Dinah Mulock Craik and Catharine Sedgwick. In addition to contemporary resources such as conduct books, letters, and accounts of parliamentary proceedings, Devoted Sisters draws on recent psychoanalytical and anthropological research to illuminate nineteenth-century depictions of the sister relationship. Building on the work of Girard and Kosofsky Sedgwick, Brown concludes her study with an exploration of the Deceased Wife's Sister Act and the 'lesbian incest effect'.
The Complete Novels of the Brontë Sisters offers an unparalleled glimpse into the diverse literary styles and the rich tapestry of themes cultivated by the Brontë family. The collection spans from the dark, passionate landscapes of the Yorkshire moors to the intricate social dynamics of Victorian England, showcasing the breadth of the sisters' literary genius. Each novel, from the tumultuous romance of 'Wuthering Heights' to the gritty realism of 'Jane Eyre' and the subtle critique of 'The Tenant of Wildfell Hall,' serves as a standout piece, together forming a cohesive exploration of societal norms, gender roles, and the individual's quest for freedom and identity. The anthology reframes ...
In 'The Complete Novels of Brontë Sisters,' readers are presented with a sweeping panorama of 19th-century literature, steeped in the unique blend of Romanticism and Realism that defines this era. This anthology showcases the remarkable literary range and diversity of the Brontë sistersCharlotte, Emily, and Annewhose works collectively embody the tumultuous emotional landscape and keen social observations of their time. From the dark, brooding moors of 'Wuthering Heights' to the staunch moral resilience depicted in 'Jane Eyre,' the collection offers a compelling examination of the human condition, gender roles, and class disparities, making it an indispensable cornerstone of English litera...
First Published in 2000, Recording Women documents the work of three leading feminist theatre companies, Sphinx Theatre Company, Scarlett Theatre and Foresight Theatre, through a combination of interviews with theatre practitioners and detailed descriptions of productions in performance. Each of the six productions is innovative in content and style. Scarlett Theatre’s Paper Walls and Foresight Theatre’s Boadicea: The Red-Bellied Queen employ a skillful mixture of text, music, physical performance, humour and seriousness to explore, respectively, domestic abuse and rape (of women and community). Scarlett Theatre’s The Sisters and Sphinx’s Voyage in the Dark adapt existing texts. The ...
Combining a biographical approach with close analysis of George Eliot's novels, Barbara Hardy introduces a new perspective on the life and works of one of Britain's greatest novelists
Cellist Jerry Chang is bored in class due to the repetitive nature of his music. What's the point in playing an instrument if he's stuck accompanying Franklin, the uppity first violinist? Even the second violinist and violist, the pretty Pearson sisters, seem ready for a change in tune. When Jerry suggests they play a song by the Romantic composer Borodin, the girls jump at the opportunity. Can the trio overthrow Franklin from his musical throne as first chair? Or will he subject them to ongoing musical servitude for the rest of their collegiate career? This musical short story is a prequel to Ashley Rescot's music fiction novel A Change in Tune.