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"The organization of this book generally follows the organization of typical first-year legal writing courses. Most courses first cover objective or predictive writing, asking students to write office memos, and then cover persuasive writing, asking students to write motions and briefs. We've also included a section on revising and rewriting because those skills are necessary to all good writing"--
Hebrew Alphabet in 30 Days begins with a look at Biblical and Modern Hebrew sounds. Later, sentence structure and basic vocabulary words are introduced through a look at the entire Tanakh, including Messianic Prophecy.
No matter what genre of music you're into, this book is for you Ty shows you step-by-step: / How to make bucket loads of cash with your music Without a record deal. / How to get top websites, to promote and sell your music, then send you a big fat juicy royalty check every month / How to attract fans that will buy everything you sell to them, including your music, DVDs, posters, t-shirts and more / How to set up a free, professional website that you can sell your music and merchandise from, all on auto-pilot, hands free, 24 hours-a-day, raking in truckloads of cash / How to easily place your music online in the form of MP3's, and video for millions to hear. / And More Why Settle and Earn Royalties of Only 2 to 3% of Your Music's Sales, When You Can Get Paid 100% Using the Information Ty Cohen Teaches in this Book? P.S. Get Your copy now Ty Cohen Platinum Millennium Publishing www.MusicBizPhoneBook.com
A trailblazing exploration of the poetic power of popular songs, from Tin Pan Alley to the Beatles to Beyoncé and beyond. Encompassing a century of recorded music, this pathbreaking book reveals the poetic artistry of popular songs. Pop songs are music first. They also comprise the most widely disseminated poetic expression of our time. Adam Bradley traces the song lyric across musical genres from early twentieth-century Delta blues to mid-century rock 'n’ roll to today’s hits. George and Ira Gershwin’s “Fascinating Rhythm.” The Rolling Stones’ “(I Can’t Get No) Satisfaction.” Rihanna’s “Diamonds.” These songs are united in their exacting attention to the craft of language and sound. Bradley shows that pop music is a poetry that must be heard more than read, uncovering the rhythms, rhymes, and metaphors expressed in the singing voice. At once a work of musical interpretation, cultural analysis, literary criticism, and personal storytelling, this book illustrates how words and music come together to produce compelling poetry, often where we least expect it.
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