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Informed by currents in sociology, cultural anthropology, and literary theory, Galileo, Courtier is neither a biography nor a conventional history of science. In the court of the Medicis and the Vatican, Galileo fashioned both his career and his science to the demands of patronage and its complex systems of wealth, power, and prestige. Biagioli argues that Galileo's courtly role was integral to his science—the questions he chose to examine, his methods, even his conclusions. Galileo, Courtier is a fascinating cultural and social history of science highlighting the workings of power, patronage, and credibility in the development of science.
A look at life in the court of King Louis XIV, the politics of the time, and the trial of a man who knew too much for his own good. From 1661 to 1664, France was mesmerized by the arrest and trial of Nicolas Fouquet, the country’s superintendent of finance. Prosecuted on trumped-up charges of embezzlement, mismanagement of funds, and high treason, Fouquet managed to exonerate himself from all the major charges over the course of three long years, in the process embarrassing and infuriating Louis XIV. The young king overturned the court’s decision and sentenced Fouquet to lifelong imprisonment in a remote fortress in the Alps. A dramatic critique of absolute monarchy in pre-revolutionary ...
It is May 1660 and the fate of nations is at stake. Mazarin plots, Louis XIV is in love, and Raoul de Bragelonne, son of Athos, is intent on serving France and winning the heart of Louise de la Valliere. D'Artagnan, meanwhile, is perplexed by a mysterious stranger, and soon he learns that his old comrades already have great projects in hand. Athos seeks the restoration of Charles II, while Aramis, with Porthos in tow, has a secret plan involving a masked prisoner and the fortification of the island of Belle-Ile. D'Artagnan finds a thread leading him to the French court, the banks of the Tyne, the beaches of Holland, and the dunes of Brittany. The Vicomte de Bragelonne opens an epic adventure which continues with Louise de la Valliere and readies its climax in The Man in the Iron Mask. This new edition of the classic translation is fully annotated; and an introduction sets Dumas's saga in its historical and cultural context.