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David O'Sullivan and Kevin McCallum are passionate about sport. They are fascinated by its vivid characters, heart-stopping moments and its endless drama. Over years of watching, reading and reporting on great sporting events, they have amassed a wealth of knowledge. After much deliberation, debate and pursuit of famous sports stars for personal anecdotes, they have produced this book: a fascinating collection of trivia and behind-the-scenes stories about South African sport over the years. The Penguin Book of South African Sports Trivia is the perfect companion for sports fanatics or people who just want to show off in front of their sports-mad mates. Do you know: which one-eyed Norwegian c...
This is the third Penguin Dictionary of South African Quotations to be compiled by journalist and writer Jennifer Crwys-Williams. It is an all-new, 500-page slice of pure South Africana. Containing thousands of entries and spanning the first eight years of the 21st century, there is something for everyone in this invaluable 'Who said that?' handbook. From the serious to the profound, the poignant, embarrassing and the downright ridiculous, the public utterances of statesmen, comedians, political commentators, government ministers, sportsmen and many more are given a platform in this extensively researched collection. If you are a passionate follower of the ever-evolving South African story, ...
In All Things Wild and Wonderful, Kobie Krüger brings us further stories of her life in the Kruger National Park, where her husband was a game ranger. After eleven years in the remote Mahlangeni region they are transferred, first to Crocodile Bridge and then to Pretorius Kop. Fully at peace in the wild and lonely landscapes of the north, Kobie fears she will never adapt to the relatively people-populated southern area. It takes time, but eventually she is able to acknowledge that the move has shown her 'other Edens' and has given her a store of new adn precious memories. Foremost among her memories is the unique experience of raising Leo, an abandoned lion cub. It is a fascinating and emotional encounter with the king of the beasts, which brings her and her family equal measures of joy and sorrow. Written with her usual warmth and humour, and imbued with her love of the wilderness and all its inhabitants, this new book is truly a celebration of all things wild and wonderful.
For all its wild beauty, the Matobo Hills is a friendly place. Of course, there's always the chance one might step on a puff adder or meet a wounded leopard, but these are unlikely occurrences, and the joy in my serendipitous wandering was well worth any minor risk. And then along came a honey badger, touted as the most fearless animal in the world: one to whom Trouble and Danger are the very stuff of life. He is totally unreasonable. He hates peace and quiet - he's a one-man street gang, the Mafia Boss, the executioner waiting at the scaffold with a great grin on his face. Trouble? Bring it on. I'm ready.' In this third book in the Stone Hills series, Badger grows up and launches himself into the world of dangerous snakes, angry bees and deadly scorpions wi th his family i n anxious at tendance. Once again, the stories range widely, from witchcraft and wilderness, to pygmy cannibals and the torrid romancing of the red-backed toad. But laughter and tears are never far apart in Zimbabwe, not least when a small badger leaves home and makes his way into his own, perilous world.
In 2007 Terry Crawford-Browne published the explosive Eye On The Money. It was primarily an account of the international banking sanctions campaign against apartheid during the 1980s, but also dealt with the early stages of the now well-documented South African arms deal scandal. Eye On The Diamonds is a sequel to the earlier book and provides updated information on the uncovering of the scandal. Its purpose is to keep the arms deal saga and the venality of the war business in public focus. In 2008 Crawford-Browne was asked to lead a public interest application to the South African Constitutional Court after huge volumes of evidence confirmed how BAE and other arms companies paid massive bri...
When Detective Persephone (Persy) Jonas is forced to work with retired criminal psychologist Dr Marge Labuschagne to solve the murder of a suspected sex offender, suspicion and distrust threaten to derail the investigation. Persy believes the killer is her childhood sweetheart, now turned vicious gangster; Marge is sure the answer lies in the victim's shady past. As the women race against time and their own prejudice to hunt the killer, past and present collide, unearthing long buried secrets and lies. As the hunt intensifies they realise they have more in common than they think and are bound in ways they could never have imagined. Finally faced with a ruthless killer, it seems that the darkest secrets are the ones they are hiding from themselves.
Susan's childhood dream of becoming a mother has not diminished with the revelation, alarming both to herself and her bewildered family, that she does, in fact, 'bat for the other team'. Having made peace with her identity and having finally found a beloved partner, she is now faced with a daunting problem: with no penis around, how the hell do you make babies? Time is of the essence: at 34 years old, Susan cannot afford to waste another moment. And so begins an unconventional journey to parenthood with some agonising decisions along the way. Should she accept help from a close and willing friend or go the anonymous sperm donor route? What are the legal and psychological implications of her options? How will her child be affected? Told with disarming honesty, Making Finn is a warm, witty and moving first-person account of two women's quest to create a family.
Where did we lose our idealism and why and at what cost?' In these conversations with people of a younger generation Mamphela Ramphele responds to the growing despair among young South Africans about the cracks that are appearing in our system of governance and threatening the idealism of the country that reinvented itself with the dawn of democracy in 1994. She shows incisively how successive post-apartheid ANC governments have betrayed the nation for a culture of impunity among those close to the seat of power, where corruption goes unremarked and accountability has been swept aside. Enduring poverty, inequity and a failing public service, most notably in health and education, are the results. At once challenging and encouraging, Ramphele urges young South Africans - our future leaders - to set aside their fears; to take control of their rights and responsibilities as citizens in upholding the values of the constitution; and to confront the growing inequality that is undermining good governance, social justice and stability.
Carla Jensen is big-hearted, bright, beautiful - and bipolar. A rebel by nature and a feisty champion of the downtrodden, she battles to resist the relentless pull of the murky waters of her illness, while remaining sceptical of her diagnosis and suspicious of medication. Adrift and exhausted by her mood swings, Carla witnesses a random act of violence on a city street and the ensuing confrontation impels her to challenge man's inhumanity to society's outcasts and ultimately to embark on a personal quest for healing and redemption. Her journey takes her into the maelstrom of disordered minds, across the sometimes hazardous terrain of sexual deviance, and into the dark heart of her own family and of Anna, her mother, who is haunted by her own sad secrets. Along the way Carla finds inspiration in unexpected places and laughter and joy in the underbelly of a city where most would see only pain.
The Blind Fisherman is a compilation of Mia Couto's early short stories - as first presented to the English-speaking world in his two collections Voices Made Night (1990) and Every Man is a Race (1994). Originally written in Portuguese, it was in these collections that Mia Couto first announced himself as a writer of international importance, constructing stories that blended the unique history of Mozambique with a magic realism that was both inspired by and transcendent of the legacy of Portuguese colonialism and the subsequent civil war.