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The children of the Israeli town of Keshet are born with the ability to bend nature to their will and 13-year-old Jordan has just discovered his gift of the power to transform into water. All of Jordan’s friends have unique powers: Noam can alter cloud formations, Ellah can spin webs, and little Eden can create the strange animals she sees in her dreams. No one knows the source of these powers except, perhaps, Miss Sara, the mysterious town matriarch who helps the children find and control their talents using Kabbalah and other mystical teachings from Israel’s forgotten past. However, someone has discovered the secret of the children of Keshet, and wants to use their powers for his own sinister purposes. To prevent such a disaster, Jordan and his friends must use their gifts to defeat an enemy who wields the power to erase the line between the living and the dead. Incorporating Jewish mythology and referencing various practices of Judaism, this book is a tale of friendship and the power of teamwork in the face of adversity.
This book investigates major linguistic transformations in the translation of children’s literature, focusing on the English-language translations of Janusz Korczak, a Polish-Jewish children’s writer known for his innovative pedagogical methods as the head of a Warsaw orphanage for Jewish children in pre-war Poland. The author outlines fourteen tendencies in translated children’s literature, including mitigation, simplification, stylization, hyperbolization, cultural assimilation and fairytalization, in order to analyse various translations of King Matt the First, Big Business Billy and Kaytek the Wizard. The author then addresses the translators’ treatment of racial issues based on the socio-cultural context. The book will be of use to students and researchers in the field of translation studies, and researchers interested in children’s literature or Janusz Korczak.
Kaytek is surprised to learn that he can perform magic and change reality, but when his magic results in chaos, he roams the world searching for a higher purpose for his abilities.
"Originally published in Hebrew as HaKelev HaYehudi by Yedioth Ahronoth in 2007; translated by Michal Kessler; edited by Shari Dash Greenspan"--Title page verso.
""A novel based on the biblical story of Esther, queen of Persia. The author hews to the ancient text while imagining the suspenseful, gripping, and ultimately triumphant backstory of the unlikely heroes of Xerxes' Persia -- Esther, the Bible's highest-placed sleeper agent, and the shrewd tactician who controls her"--Provided by publisher"--
The children of the Israeli town of Keshet are born with the ability to bend nature to their will and 13-year-old Jordan has just discovered his gift of the power to transform into water. All of Jordan’s friends have unique powers: Noam can alter cloud formations, Ellah can spin webs, and little Eden can create the strange animals she sees in her dreams. No one knows the source of these powers except, perhaps, Miss Sara, the mysterious town matriarch who helps the children find and control their talents using Kabbalah and other mystical teachings from Israel’s forgotten past. However, someone has discovered the secret of the children of Keshet, and wants to use their powers for his own sinister purposes. To prevent such a disaster, Jordan and his friends must use their gifts to defeat an enemy who wields the power to erase the line between the living and the dead. Incorporating Jewish mythology and referencing various practices of Judaism, this book is a tale of friendship and the power of teamwork in the face of adversity.
The relationship between humans and animals has always been strong, symbiotic and complicated. Animals, real and fictional, have been a mainstay in the arts and entertainment, figuring prominently in literature, film, television, social media, and live performances. Increasingly, though, people are anthropomorphizing animals, assigning them humanoid roles, tasks and identities. At the same time, humans, such as members of the furry culture or college mascots, find pleasure in adopting animal identities and characteristics. This book is the first of its kind to explore these growing phenomena across media. The contributors to this collection represent various disciplines, to include the arts, humanities, social sciences, and healthcare. Their essays demonstrate the various ways that human and animal lives are intertwined and constantly evolving.