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'He won't tell Dan about the trees yet. In the spring maybe, when he knows if they're living or dead. Cahir is the right man for a secret. The great secrets of the world are best kept by fat boys and girls. Fat boys like Cahir with no shortage of capacity or cover or practice, the ones who've been hoarding for years, building heft in the quiet when backs were turned.' Cahir and Dan grew up on Inishowen, in north Donegal. It is their last year at home together. When his brother leaves, Cahir will be left behind, but he has plans too. Cahir plants trees outside the town, on a scrap of ground belonging to their mother. In a world full of badness, he wants to do something good. It is a secret, even from Dan. Dan works full time at the supermarket, content where he is. He has taken a year out before university and is messaging Lydia. If it works out with her, he might stay longer. But the land doesn't belong to Cahir or to Dan. It has been sold to Lydia's brother and when Lydia finds Cahir tending the trees, on ground that isn't his, things spiral out of Cahir's control, threatening everything he has worked for.
Drawing on diverse theoretical and textual sources, The Gender of Suicide presents a critical study of the ways in which contemporary society understands suicide, exploring suicide across a range of key expert bodies of knowledge. With attention to Durkheim's founding study of suicide, as well as discourses within sociology, law, medicine, psy-knowledge and newsprint media, this book demonstrates that suicide cannot be understood without understanding how gender shapes it, and without giving explicit attention to the manner in which prevailing claims privilege some interpretations and experiences of suicide above others. Revealing the masculine and masculinist terms in which our current knowledge of suicide is constructed, The Gender of Suicide, explores the relationship between our grasp of suicide and problematic ideas connected to the body, agency, violence, race and sexuality. As such, it will appeal to sociologists and social theorists, as well as scholars of cultural studies, philosophy, law and psychology.
When George is sentenced to seven years of hard labor in Van Diemen's Land, his only thoughts are of his sister Hannah. What can he give her to remember him when he is so far away?
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Pindar's Eyes is a ground-breaking interdisciplinary exploration of the interactions between Greek lyric poetry and visual and material culture in the early fifth century BCE. Its aim is to open up analysis of lyric to the wider theme of aesthetic experience in early classical Greece, with particular focus on the poetic mechanisms through which Pindar's victory odes use visual and material culture to engage their audiences. Complete readings of Nemean 5, Nemean 8, and Pythian 1 reveal the poet's deep interest in the relations between lyric poetry and commemorative and religious sculpture, as well as other significant visual phenomena, while literary studies of his evocation of cultural attit...
Although interest in evolutionary novelties can be that these different mechanisms cooperate in the mak traced back to the time of Darwin, the appreciation ing of new genes. In the second phase of new gene evolution, conventional models of new gene evolution, and systematical experimental pursuit of the origin and evolution of new gene functions did not appear for example by gene duplication, held that the muta until the early years of last decade. Since the 1970s, tions fixed in the early stages of the new genes are Susumu Ohno, Walter Gilbert, and others from the assumed to be neutral or nearly neutral. However, it area of evolutionary genetics have made pioneer ef appears that the force o...
This is a true story about three women in my family who were victims of the crime of domestic violence. each one murdered by the mem they dated, loved and trusted. .
Mimesis is one of the oldest, most fundamental concepts in Western aesthetics. This book offers a new, searching treatment of its long history at the center of theories of representational art: above all, in the highly influential writings of Plato and Aristotle, but also in later Greco-Roman philosophy and criticism, and subsequently in many areas of aesthetic controversy from the Renaissance to the twentieth century. Combining classical scholarship, philosophical analysis, and the history of ideas--and ranging across discussion of poetry, painting, and music--Stephen Halliwell shows with a wealth of detail how mimesis, at all stages of its evolution, has been a more complex, variable conce...