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Penny Baps
'He won't tell Dan about the trees yet. In the spring maybe, when he knows if they're living or dead. Cahir is the right man for a secret. The great secrets of the world are best kept by fat boys and girls. Fat boys like Cahir with no shortage of capacity or cover or practice, the ones who've been hoarding for years, building heft in the quiet when backs were turned.' Cahir and Dan grew up on Inishowen, in north Donegal. It is their last year at home together. When his brother leaves, Cahir will be left behind, but he has plans too. Cahir plants trees outside the town, on a scrap of ground belonging to their mother. In a world full of badness, he wants to do something good. It is a secret, even from Dan. Dan works full time at the supermarket, content where he is. He has taken a year out before university and is messaging Lydia. If it works out with her, he might stay longer. But the land doesn't belong to Cahir or to Dan. It has been sold to Lydia's brother and when Lydia finds Cahir tending the trees, on ground that isn't his, things spiral out of Cahir's control, threatening everything he has worked for.
High Street
Reprint with new afterword. Originally publshed: London: Country Life Ltd., 1938.
The Quiet Whispers Never Stop
AN IRISH EXAMINER BOOK OF THE YEAR SHORTLISTED FOR THE BUTLER LITERARY AWARD SHORTLISTED FOR THE KATE O'BRIEN AWARD 'Touching and darkly beautiful' Irish Sunday Independent 'Powerful, uncompromising' Irish Times 'Utterly absorbing, a novel that keeps you guessing right to the end' Kit de Waal 1982. Northern Ireland. Nuala Malin is tied to a life she doesn't want by her daughter Sam and baby son PJ. An affair with a seventeen-year-old boy reminds her of a future she hasn't given up on, but it can't last, and when her chance to leave comes, she takes it. 1994. If Sam Malin has a god then it is Kurt Cobain. Music is the only thing that brings her peace. She wants a life away from the North and its troubles, away from her da who can't talk about the past but seems stuck there, waiting for Sam's mother to return. A mother Sam barely knew. Escape seems out of reach until Sam meets a jagged, magnetic older man, drawn to him in a way she can't yet comprehend. She falls for him, unable to say no. Sam is more like her mother than she knows.
Taking Up Space
This is the first English-language volume on representations of women at work in contemporary French cultural productions. It covers a variety of genres: literature, cinema and television, journalism, bande dessinée. Draws from a wide range of work experiences from salaried work in academic, artistic, corporate and working-class worlds to unpaid—reproductive, domestic—labour, illegal activities and activism.
A Length of Road
In 1841 the 'peasant poet' John Clare escaped from an asylum in Epping Forest, where he had been kept for four years, and walked over eighty miles home to Northamptonshire. Suffering from poor mental health, Clare was attempting to return to his idealized first love, Mary, unaware that she had died three years earlier. In 1995, with his life in crisis and his own mental health fragile, Robert decides to retrace Clare's route along the Great North Road over a punishing four-day walk. As he walks he reflects on the changing landscape and on the evolving shape of his own family, on fatherhood and masculinity, and on the meaning of home. Part memoir, part travel-writing, part literary criticism, A Length of Road is a deeply profound and poetic exploration of class, gender, grief and sexuality through the author's own experiences and through the autobiographical writing of poet John Clare.
Free to Go
'An exhilarating story of freedom and constraint, told with a confident and unwavering verve. This is a journey driven by boundless curiosity, and by the desire for connection - across borders, across languages, across time' MALACHY TALLACK When Esa Aldegheri and her husband left their home in Orkney, Esa didn't know that their eighteen-month motorbike adventure would take them through twenty international frontiers - between Europe and the Middle East, through Pakistan, China and India - many of which are now impassable. Charting a story of shrinking and expanding liberties and horizons, of motherhood, womanhood, xenophobia and changing geopolitical situations, Free to Go examines the challenges of navigating a world where many assume that women ride pillion, both on a motorbike and within relationships. Part around-the-world adventure, part-literary exploration of womanhood, Free to Go is about the journeys that shape and transform us.
We Could Not See the Stars
Han was contemplative. Nothing that he had seen so far answered his questions about where his mama and he came from. Who they were. He was sad for his mama, and for himself, for not only did he not know her, he didn't even know the person whom she had become. And then, what of the people that led to him? His mama's father, his mama's mother, his mama's father's father, his mama's father's mother - the list went on and on, the people he did not know, the stories they had not told him, the names that they had lost. 'No people, only ghosts here,' he whispered. Han's uneventful life in a sleepy fishing village is disturbed when a strange man arrives, asking questions about Han's mother. Han does...
She That Lay Silent-Like Upon Our Shore
'Story telling at its most primal . . . brutal, tender and wildly imaginative' Irish Times 'An act of pure imagination' ANNE ENRIGHT 'Strange and darkly wondrous . . . like a wild and witty outtake from a folkloric Moby-Dick' PHILIP HOARE A creature from another world had collided with ours - a reckonin she might properwise be knowt, a great reckonin had washed upon our shores, and I ran twort it. On a remote island in the northern seas an unnamed boy is exiled from his community and cast into the Wastelands. In his struggle to survive he breaks away from the strictures of his upbringing and aligns himself with the beauty and brutality of the natural world. The Leviathan, a colossal beast th...
Stronger than Death
'Poignant and fiercely intelligent, this is the best work of creative non-fiction I have read in years' FIONA MOZLEY In April 1931, modernist poet Hart Crane arrived in Mexico City. Between mood swings, dire financial difficulties, and a rotating series of personal estrangements, Hart was struggling to make the parts of a fragmentary world cohere. This move to Mexico was one in a long list of attempts to find security. In just over a year he would be dead. In July 1932, Grace Crane picks up the morning paper. Scanning the headlines, she is halted on page five. Her son's eyes stare back at her, tinted pink by the thin paper: 'POET LOST AT SEA FROM SHIP'. Hart Crane's death has accrued a morbi...
Our Car
A child describes the family car, which is as red as a fire engine, and is driven by his father through wind, snow, and all seasons.
