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Who's who in Spain
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Serra d'or
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Autoconstrucción
AutoconstrucciÃ[3]n accompanies Cruzvillegas' exhibition at CCA Glasgow, the result of a six month joint residency at CCA and Cove Park by the Mexican artist. In the exhibition, the artist charts the evolution of his family's house and finds, in its making, the roots of his current sculptural practice. Cruzvillegas was brought up in an area of Mexico City called Ajusco. Driven by necessity the community was built through collaboration which bred a system of social and political solidarity. It was a culture of hybridity and the model of construction became intertwined with the model for living. For Abraham Cruzvillegas that context provided a metaphor for the self-conscious process of creating an identity and methodology for the construction of his artistic practice. In AutoconstrucciÃ[3]n he draws together a diverse series of elements including an exhibition, a series of musical performances, a ride across a city and a book, and through all of this work, it is the concept of sharing that is a key element, framed by a makeshift DIY aesthetic. English and Spanish text.
Viking Manifesto
The Vikings went from making wine snifters from the skulls of their enemies to selling furniture in flat boxes. They took civilization based on pillaging and plundering and gave us The Nobel Prize and IKEA. The Vikings are back, and this time they mean business. The Viking Manifesto is a call to arms for a new way of doing business. It's about having an original idea and a different way of making it happen. The ancient Vikings got rich with swords and fast ships; the modern ones with safe cars (Volvo) and sippable vodka (Absolut). Both broke the rules. Both came from nowhere to take the world by storm. This book reveals how Scandinavian companies are making a huge impact on the business landscape, and what lessons other companies can learn from them. It is a book that will astonish, inspire and amuse.
The Business of Books
Part-memoir, part-history, The Business of Books is an irascible, acute and often passionate account of the collapsing standards of contemporary book publishing. It has appeared throughout the world in seventeen different editions. Book jacket.
Unmonumental
Unmonumental: The Object in the 21st Century is a groundbreaking thematic survey of sculptural work by thirty of today's leading artists.
La Cruz Del Diablo
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Museum of Words
Ekphrasis is the art of describing works of art, the verbal representation of visual representation. Profoundly ambivalent, ekphrastic poetry celebrates the power of the silent image even as it tries to circumscribe that power with the authority of the word. Over the ages its practitioners have created a museum of words about real and imaginary paintings and sculptures. In the first book ever to explore this museum, James Heffernan argues that ekphrasis stages a battle for mastery between the image and the word. Moving from the epics of Homer, Virgil, and Dante to contemporary American poetry, this book treats the history of struggle between rival systems of representation. Readable and well illustrated, this study of how poets have represented painting and sculpture is a major contribution to our understanding of the relation between the arts.
The Return of the Cadavre Exquis
The Return of the Cadavre Exquis featured over 600 collaborative drawings by contemporary artists from around the world. The culmination of a two-year drawing project, the exhibition was composed of contemporary drawings based on the Surrealist parlor game, Exquisite Corpse, as well as a selection of works by Surrealist practitioners of the game. The exhibition was organized by The Drawing Center and Ingrid Schaffner, who initiated the project with the artists Kim Jones and Leonard Titzer.
Cartas Desde Mi Celda
El libro est� compuesto por un conjunto de nueve cartas que B�cquer escribi� durante su estancia en el Monasterio de Veruela, donde se refugi� para reponerse de la tuberculosis que le afectaba, y que se publicaron individualmente en el peri�dico madrile�o El Contempor�neo a lo largo de 1864. Es una obra maestra del periodismo espa�ol del siglo XIX. A pesar de esta dram�tica enfermedad, incurable en aquel momento, el tono de estos escritos desborda vitalidad. Las descripciones de la naturaleza y del paisaje son excelentes. La tem�tica de las cartas es muy variada y son muy entretenidas e interesantes, a pesar de que han transcurrido 150 a�os desde que se escribieron.
