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People and Texts
Relationships between people and texts form the focus of the studies collected in this book. It was presented to Erik Kooper in recognition of his lifelong efforts to bring together people from universities worldwide. It will be of special interest to scholars and students of Arthurian and Middle English literature, codicologists, scholars interested in medieval Latin sermons and the Gesta Herewardi, in medieval drama and in texts in Middle English, among them Sir Gawain and the Green Knight, Wynnere and Wastoure, Sir Eglamour, the Tale of Gamelyn, a nd, in Scots, the metrical chronicle of William Stewart. Articles on early twentieth-century Chaucerian scholarship and on many of the Old French Arthurian romances as well as the writings of Wace and Benoit de Sainte-Maure are also included. Contributors are Bart Besamusca, Frank Brandsma, Rolf H. Bremmer, Jr., Keith Busby, D.J. Curnow and Ad Putter, Juliette Dor, Frans N.M. Diekstra, Karen Hodder and John Scattergood, Geert van Iersel, Douglas Kelly, Edward Donald Kennedy, Jane Roberts, Elsa Strietman and Thea Summerfield.
The Brothers Grim
In 1984 Joel and Ethan Coen burst onto the art-house film scene with their neo-noir Blood Simple and ever since then they have sharpened the cutting edge of independent film. Blending black humor and violence with unconventional narrative twists, their acclaimed movies evoke highly charged worlds of passion, absurdity, nightmare realms, and petty human failures, all the while revealing the filmmakers' penchant for visual jokes and bravura technical strokes. Their central characters may be blind to reality and individual flaws, but their illusions, dreams, fears, and desires map the boundaries of their worlds—worlds made stunningly memorable by the Coens. In The Brothers Grim: The Films of ...
The New Filmgoer's Guide to God
Tim Cawkwell’s knowledge and experience of the cinema has been poured into his writings about it. Originally published in 2004, this new edition sees some substantial revisions: some previous material has been dropped and a lot of new material has been added, especially on more recent films. The whole text has been very significantly reshaped with the addition of images to support Tim’s writing. Dozens of films are referred to in this book, which finds new insights into the variety of religious narratives that different countries have produced. Those receiving more in-depth consideration include such masterpieces as The Passion of Joan of Arc, Rome Open City, Diary of a Country Priest, W...
Faith and Film
Growing numbers of church leaders are discovering that many films are able to impact viewers with gospel truths almost as well as a good sermon. Ed McNulty, a former pastor and longtime reviewer of films, offers this guide to help church leaders enter into dialogue with contemporary films. McNulty carefully crafts a theology of movies and then provides practical suggestions for creating and leading movie discussions with groups. In addition, he provides people from all across the theological spectrum with a framework to understand whether the overall message of a film outweighs concerns over profanity, violence, or sex in the film. He concludes by introducing twenty-seven films and including provocative questions about each that will prepare leaders to assemble and facilitate a group. Popular films explored include The Color Purple; Crash; Hotel Rwanda; The Matrix; Million Dollar Baby; O Brother, Where Art Thou? and The Shawshank Redemption.
The Coen Brothers and American Roots Music
For more than three decades, Joel and Ethan Coen have produced some of the most memorable and influential American roots music soundtracks in film history. From Raising Arizona (1987) to O Brother, Where Art Thou? (2000) to Inside Llewyn Davis (2013), the Coens, along with musical archivist and producer T-Bone Burnett, have curated half-forgotten yet unforgettable genres, artists and songs from America's cultural past for new audiences. This book is the first devoted to giving a full account of this rich cinematic legacy.
Disintegrating the Musical
From the earliest sound films to the present, American cinema has represented African Americans as decidedly musical. Disintegrating the Musical tracks and analyzes this history of musical representations of African Americans, from blacks and whites in blackface to black-cast musicals to jazz shorts, from sorrow songs to show tunes to bebop and beyond. Arthur Knight focuses on American film’s classic sound era, when Hollywood studios made eight all-black-cast musicals—a focus on Afro-America unparalleled in any other genre. It was during this same period that the first black film stars—Paul Robeson, Louis Armstrong, Lena Horne, Harry Belafonte, Dorothy Dandridge—emerged, not coincide...
The Coen Brothers and the Comedy of Democracy
Both critically and commercially successful filmmakers, the Coen brothers have written, produced, and directed numerous acclaimed films over the past three decades. Sara MacDonald and Barry Craig demonstrate that their comedies, in particular, which are often dismissed as mere entertainments, actually present substantial philosophic and political arguments. They examine five of the Coen brothers’ comedies: Raising Arizona, Fargo, The Big Lebowski, O Brother, Where Art Thou, and Hail Caesar!. In those works, they discover insightful engagements with such ideas as questions of human freedom, the relationship of reason to religion, and the nature of liberal democracy in the American regime. They demonstrate how sometimes explicitly, but generally implicitly, the Coens draw on thinkers such as Homer, Plato, Dante, and Hegel, while simultaneously presenting popular entertainment.
Living Under Water
Our truest identity isn’t something we create or build ourselves. It’s a gift we receive. We live under water. What does baptism mean? And what do we do with it? Kevin Adams—an experienced pastor and church planter who has baptized people of all ages and spiritual origins—makes the case that baptism isn’t merely a one-time ceremony but something to be lived and affirmed throughout one’s life. In Living under Water, Adams shares stories that illustrate how baptism shapes one’s identity and enters us into an alternate narrative, one ongoing since the dawn of creation, through which we understand our truest selves with all our joy and trauma and by which we are united with a group...
Reading Luke
The Gospel of Luke is a book about Jesus, claiming to provide assurance concerning what its reader has been taught about Jesus. But how does it do that? This book provides an answer to that question by helping readers understand Luke as a gospel story in its historical context and with appreciation for the author's literary artistry and theological perspectives. Part one explores background information and literary features of Luke such as its author and first readers, genre, plot and character development, the role of programmatic passages, and interpreting the large number of parables included by Luke. Part two focuses on themes that run throughout the Gospel: Jesus's mission, salvation, discipleship, the kingdom of God, resurrection, and ascension. The discussion of these features and themes will provide readers of Luke's Gospel with a grasp of its overarching framework so that they are able to comprehend Luke's unique presentation of Jesus's life and read the Gospel with increased confidence for themselves.
Who's Afraid of Postmodernism? (The Church and Postmodern Culture)
The philosophies of French thinkers Derrida, Lyotard, and Foucault form the basis for postmodern thought and are seemingly at odds with the Christian faith. However, James K. A. Smith claims that their ideas have been misinterpreted and actually have a deep affinity with central Christian claims. Each chapter opens with an illustration from a recent movie and concludes with a case study considering recent developments in the church that have attempted to respond to the postmodern condition, such as the "emerging church" movement. These case studies provide a concrete picture of how postmodern ideas can influence the way Christians think and worship. This significant book, winner of a Christianity Today 2007 Book Award, avoids philosophical jargon and offers fuller explanation where needed. It is the first book in the Church and Postmodern Culture series, which provides practical applications for Christians engaged in ministry in a postmodern world.
