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If you are a writer working with a publisher (large or small) or if you are a small or first time publisher, BOOK DESIGN AND PRODUCTION will help you understand the book production process and the principles of good cover and interior book design. It will allow you to look at a book design and immediately see the common errors and to see that a book is following the traditions of good book design that gives credibility to your message. Whether you do the work yourself of hire it done, BOOK DESIGN AND PRODUCTION will help you get your book done right. Use this book to guide you through the book design and production process.
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Volume contains: 123 NY 458 (Masterson v. Townshend) 125 NY APP 681 (Underhill v. Ramsey) 125 NY APP 18 (Weber v. Barrett) 125 NY APP 18 (Barrett v. Weber) 125 NY APP 26 (Wallace v. Walsh) 125 NY APP 38 (Continental Nat'l Bank v. Bell)
Few people are lucky enough to experience close-up those mutually attracting worlds of politics and entertainment. Donald Webster is one of those. From his earliest memories he set his sights on Washington, D.C., where he imagined the fate of the world was decided. Over the years he realized his youthful dream --working in the Congress, the Treasury and the White House. But his political career failed to provide a sense of creative satisfaction, and when his first wife died, he cut loose from Washington and headed to a California beach and later to New York to study painting and photography. A long and winding trail finally led him to writing as his preferred means of creative self expression. His transformation from the world of politics to that of the arts took a decisive leap forward after he fell in love with actress Diana Douglas. Now married and living in Los Angeles, they have an ongoing creative partnership and a wide circle of vital artistic friends. The author's personal transformation in his work, his thinking and his innermost nature is substantially complete. This is the story of what happened along the way.
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From Sean Connery to Roy Rogers, from comedy to political satire, films that include espionage as a plot device run the gamut of actors and styles. More than just “spy movies,” espionage films have evolved over the history of cinema and American culture, from stereotypical foreign spy themes, to patriotic star features, to the Cold War plotlines of the sixties, and most recently to the sexy, slick films of the nineties. This filmography comprehensively catalogs movies involving elements of espionage. Each entry includes release date, running time, alternate titles, cast and crew, a brief synopsis, and commentary. An introduction analyzes the development of these films and their reflection of the changing culture that spawned them.