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The year is 2009. America has its first Catholic president since Kennedy. The planet's other superpower is the Federation of Islamic Republics, stretching from Morocco to Pakistan. And in Rome, the aging Polish Pope, obstinate and combative to the end, has died, and the conclave of cardinals must choose a successor. After a great deal of argument and debate, they choose the least controversial candidate, the least political, the one least likely to upset the Vatican status quo--Brian O'Flynn, a kindly old Irish priest who reads Yeats and publishes obscure academic theses. At the moment of his election, a 300-pound ornamental pillar falls on his head. Then all hell breaks loose. Pope Patrick ...
"A WORK OF GREAT DRAMATIC POWER climaxing in the final hundred pages where he writes a full, searing narrative of the patriot leaders' last days . . . It's powerful stuff." --The Sunday Press (Ireland) On Easter Monday of 1916, a thousand Irish men and women, armed with pikes and rifles, took over the center of Dublin and proclaimed a republic. It was a rash, doomed, symbolic uprising, and the rebel leaders knew it. Crack British troops killed and wounded hundreds of the rebels in the week of fighting, and British artillery shells left Dublin's city center in ruins. But the Rising of 1916 was not in vain. The short-lived insurrection and the subsequent executions of sixteen rebel leaders galvanized the Irish people. The overthrow of seven centuries of British rule in Ireland began on Easter Monday, 1916. In Rebels, Peter de Rosa, author of the bestselling Vicars of Christ, tells the story of the 1916 Rising in all its terror and beauty. With the dramatic flair of a novelist and the scrupulous accuracy of a professional historian, de Rosa brings to life the people, passions, politics, and repercussions of this historic event.
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Reveals the true story behind Annie Murphy's secret affair with Eamonn Casey, who became the Bishop of Galway, Ireland, the birth of their son, her years of hardship, and the publicity surrounding the 1992 disclosure of the coverup.
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Peter the Great (1672–1725), tsar of Russia for forty-three years, was a dramatic, appealing, and unconventional character. This book provides a vivid sense of the dynamics of his life—both public and private—and his reign. Drawing on his letters and papers, as well as on other contemporary accounts, the book provides new insights into Peter’s complex character, giving information on his actions, deliberations, possessions, and significant fantasy world--his many disguises and pseudonyms, his interest in dwarfs, his clowning and vandalism. It also sheds fresh light on his relationships with individuals such as his second wife Catherine and his favorite, Alexander Menshikov. The book includes discussions of Peter’s image in painting and sculpture, and there are two final chapters on his legacy and posthumous reputation up to the present.
Published for the first time in 1971, Forty Lost Years tells the story of Laura Vidal, a woman who becomes ahigh-fashion dressmaker to the rich women of Barcelona during Franco's dictatorship.
Media are poetic forces. They produce and reveal worlds, representing them to our senses and connecting them to our lives. While the poetic powers of media are perceptual, symbolic, social and technical, they are also profoundly moral and existential. They matter for how we reflect upon and act in a shared, everyday world of finite human existence. The Poetics of Digital Media explores the poetic work of media in digital culture. Developing an argument through close readings of overlooked or denigrated media objects – screenshots, tagging, selfies and more – the book reveals how media shape the taken-for-granted structures of our lives, and how they disclose our world through sudden moments of visibility and tangibility. Bringing us face to face with the conditions of our existence, it investigates how the ‘given’ world we inhabit is given through media. This book is important reading for students and scholars of media theory, philosophy of media, visual culture and media aesthetics.
Egypt is one of the few great empires of antiquity that exists today as a nation state. Despite its extraordinary record of national endurance, the pressures to which Egypt currently is subjected and which are bound to intensify are already straining the ties that hold its political community together, while rendering ever more difficult the task of governing it. In this timely book, leading expert on Egyptian affairs Robert Springborg explains how a country with such a long and impressive history has now arrived at this parlous condition. As Egyptians become steadily more divided by class, religion, region, ethnicity, gender and contrasting views of how, by whom and for what purposes they should be governed, so their rulers become ever more fearful, repressive and unrepresentative. Caught in a downward spiral in which poor governance is both cause and consequence, Egypt is facing a future so uncertain that it could end up resembling neighboring countries that have collapsed under similar loads. The Egyptian "hot spot", Springborg argues, is destined to become steadily hotter, with ominous implications for its peoples, the Middle East and North Africa, and the wider world.