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After several pages of prologue summing up 18th century highlights--especially the rise in importance of geometry--some forty pages cover 1784-1916, focusing on the heavily fenestrated high-rises of the Chicago School and the iron and glass pavilions of Europe. The chapter spanning 1892-1925 concentrates on the many disputes over the trajectory of modernism: Nieuwe Kunst, Stile Liberty, Jugendstil, and Art Nouveau, all arguing the direction that the boom of prisons, hospitals, schools, town halls, and other institutional buildings would take. Three more time divisions follow and a concise compendium of architect biographies ends the volume. Along with an array of great pictures (par for Taschen), Gossel and Leuthauser--both active in the private sector--add a strong prose style attentive to debates among architects and the socioeconomic stage on which architects act. Annotation copyrighted by Book News, Inc., Portland, OR
"The 100 houses presented here not only show a broad spectrum of building styles and interior designs, but also tell 100 individual stories of architects and their own four walls, opening a new window on the history of twentieth-century European architecture."--Jacket.
This book explains the history and development of the military design movement, featuring case studies from key modern militaries. Written by a practitioner, the work shows how modern militaries think and arrange actions in time and space for security affairs, and why designers are disrupting, challenging, and reconceptualizing everything previously upheld as sacred on the battlefield. It is the first book to thoroughly explain what military design is, where it came from, and how it works at deep, philosophically grounded levels, and why it is potentially the most controversial development in generations of war fighters. The work explains the tangled origins of commercial design and that of ...
This bibliography includes all traceable self-contained books, monographs, pamphlets and chapters from books which in some way pertain to Jews in Australia and New Zealand between 1788 and 2008 Born in Russia in 1942, Serge Liberman came to Australia in 1951, where he now works as a medical practitioner. As author of several short-story collections including On Firmer Shores, A Universe of Clowns, The Life That I Have Led, and The Battered and the Redeemed, he has three times received the Alan Marshall Award and has also been a recipient of the NSW Premier's Literary Award. In addition, he is compiler of two previous editions of A Bibliography of Australian Judaica. Several of his titles have been set as study texts in Australian and British high schools and universities. His literary work has been widely published; he has been Editor and Literary Editor of several respected journals and has contributed to many other publications.
Santiago Calatrava. With more than ten years having passed since the 'case' of Calatrava was introduced into the international debate, it remains as relevant as ever to ask the same questions posed back then regarding an artistic personality and oeuvre still capable of provoking such heated and contradictory reactions from critics, the general public, and contemporary architectural culture alike. The extremism of the positions assumed by those faced with Calatrava's work compels us inevitably to investigate a phenomenon that intersects with the redefinition of the relationship between art and technology, or more specifically, between architecture and engineering, not to mention the crisis of the professions and their social credibility.
American photographer Julius Shulman's images of Californian architecture have burned themselves into the retina of the 20th century. A book on modern architecture without Shulman is inconceivable. Some of his architectural photographs, like the iconic shots of Frank Lloyd Wright's or Pierre Koenig's remarkable structures, have been published countless times. The brilliance of buildings like those by Charles Eames, as well as those of his close Friend, Richard Neutra, was first brought to light by Shulman's photography. The clarity of his work demanded that architectural photography had to be considered as an independent art form. Each Schulman image unites perception and understanding for t...
Perkins+Will, a global architecture and design practice, releases the first volume in a series of publications showcasing the talent of its teams and scope of their projects. Ideas + Buildings defines the essential characteristics of innovation and excellence that make Perkins+Will unique among architecture firms worldwide. The Ideas + Buildings series will includes essays on design theory; white papers on programmatic and technological innovation, client business issues and the environment; and ideas that relate directly to the practice and its work as well as broader social and cultural issues. Ideas + Buildings Collective Process / Global, Social and Sustainable Design includes 12 unique projects along with anecdotal information about the firm and its history - providing insight into the firm, who they are and what they do. The book demonstrates the progress and energy of Perkins+Will as the firm advances towards its 75th anniversary.
This text studies the architecture of Frank Lloyd Wright. It provides an analysis of his career until his death in 1959.
Many objects are beautiful; and many creations are functional. But only few achieve enduring status. The "Design Classics" series presents such select products that have set standards in form, function and brand communication. Each monograph is a richly illustrated essay and product portrait, from conception to production, from prototype to collectors' item.