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Different Country, Same State: On The Road With James Blunt
213 performances, 58 countries, 15 months. James Blunt's 'All the Lost Souls' international tour was one of the greatest pop marathons of all time. Journalist and family friend Peter Hardy joined James and his band on their exhilarating and exhausting journey around the world, hoping to discover the man behind the music. From the tour bus to the dressing rooms, from the stage to the after-show parties, travelling with James gave 'Weird Uncle Peter' an access-all-areas pass to his life on tour. A warts-and-all account of lost guitars, adoring fans, ludicrous bar bills and very, very late nights, this is an honest, amusing and insightful look at the mad world of celebrity and the inside story of James himself, both in front of the crowds and behind closed doors. DIFFERENT COUNTRY, SAME STATE is a frank exploration of one man's journey, his passion for music and his passion for life.
Atlantic Reporter
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The Muslims of British India
Dr Hardy has attempted a general history of British India's Muslims with a deeper perspective. He shows how the interplay of memories of past Muslim supremacy, Islamic religious aspirations and modern Muslim social and economic anxieties with the political needs of the alien ruling power gradually fostered a separate Muslim politics. Dr Hardy argues (contrary to the usual view) that Muslims were able to take political initiatives because, in the region of modern Uttar Pradesh, British rule before 1857 and even the events of the Mutiny and Rebellion of 1857-8 had not been economically disastrous for most of them. He stresses the force of religion in the growth of Muslim political separatism, showing how the 'modernists' kept the conversation among Muslims within Islamic postulates and underlining the role of the traditional scholars in heightening popular religious feeling. Regarding any sense of Muslim political unity and nationhood as an outcome of the period of British rule, Dr Hardy shows the limitations and frailty of that unity and nationhood by 1947.
Thomas Hardy's Women
Thomas Hardy was always fascinated by women. While in life his relationships were often fraught and unhappy, through the heroines of his novels we can see into his sole. This book assesses the influence of Hardy's closest female friends and family on his life and his work and looks at how his response to them moulded his creative genius.
Hardy Geraniums
Full descriptions of over 140 types of geranium, their natural geographical distribution and details of variations, hybrids and new discoveries in the wild. In addition, there is a wealth of information on the history, nomenclature, classification, behaviour and use in cultivation of these beautiful and varied plants.
The Pakistan Paradox
The idea of Pakistan stands riddled with tensions. Initiated by a small group of select Urdu-speaking Muslims who envisioned a unified Islamic state, today Pakistan suffers the divisive forces of various separatist movements and religious fundamentalism. A small entrenched elite continue to dominate the country’s corridors of power, and democratic forces and legal institutions remain weak. But despite these seemingly insurmountable problems, the Islamic Republic of Pakistan continues to endure. The Pakistan Paradox is the definitive history of democracy in Pakistan, and its survival despite ethnic strife, Islamism and deepseated elitism. This edition focuses on three kinds of tensions that are as old as Pakistan itself. The tension between the unitary definition of the nation inherited from Jinnah and centrifugal ethnic forces; between civilians and army officers who are not always in favour of or against democracy; and between the Islamists and those who define Islam only as a cultural identity marker.
Trial by Ordeal
Trial by Ordeal takes a sharp look at central aspects of the critical reception of Thomas Hardy. It demonstrates how critical appropriations of Hardy's work often provide a simplifying, conventional, or conservative image of the writer, which a sophisticated view of his creative intentions by no means confirms. Edward Neill discusses the dangers inherent in interpreting Hardy's writings in terms of his life; the limitations of criticism that views his work as nostalgic reaction; approaches to the poetry; and the critical response to Jude the Obscure.
