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Film – An International Bibliography
Kommentierte Bibliografie. Sie gibt Wissenschaftlern, Studierenden und Journalisten zuverlässig Auskunft über rund 6000 internationale Veröffentlichungen zum Thema Film und Medien. Die vorgestellten Rubriken reichen von Nachschlagewerk über Filmgeschichte bis hin zu Fernsehen, Video, Multimedia.
Reconfigurations
From "Once Upon a Time in the West" to "Moulin Rouge", from Ghanaian video-movies to Japanese Manga, from Christian symbolism in advertising to the mythic significance of female messiah figures, from the relationship of the arts and theology to the role of the audience in the meaningmaking process, this book provides a feast for anyone wanting to explore the interconnectivity of religion, media and society.
Screen Jesus
Since the dawn of film in the 1890s, religious themes and biblical subjects have been a staple of cinema. One of the earliest focuses of screen presentations was the Bible, especially the New Testament and the Gospels. In Screen Jesus: Portrayals of Christ in Television and Film, Peter Malone takes a close look at films in which Jesus is depicted. From silent renditions of The Passion Play to 21st-century blockbusters like The Passion of the Christ, Malone examines how the history of Jesus films reflects the changes in artistic styles and experiments in cinematic forms for more than a century. In addition to providing a historical overview of the Jesus films, this book also reveals the changes in piety and in theological understandings of the humanity and divinity of Jesus over the decades. While most of the Jesus films come from the United States and the west, an increasing number of Jesus films come from other cultures, which are also included in this study. Fans and scholars interested in the history of religious cinema will find this an interesting read, as will students and teachers in cinema and religious studies, church pastors, parish groups, and youth ministry.
Jesus Made in America
Jesus is as American as baseball and apple pie. But how this came to be is a complex story - one that Stephen Nichols tells with care and ease. Beginning with the Puritans, he leads readers through the various cultural epochs of American history, showing at each stage how American notions of Jesus were shaped by the cultural sensibilities of the...
American Theological Inquiry, Volume Two, Issue One
American Theological Inquiry (ATI) was formed in 2007 by Drs. S. Gannon Murphy (PhD, St. David's College, Univ. Wales, Theology; Presbyterian/Reformed) and Stephen Patrick (PhD, Univ. Illinois, Philosophy; Eastern Orthodox) to open up space for diverse Christian academicians, who affirm the Ecumenical Creeds, to share research throughout the broader Christian scholarly community in America. ATI reaches thousands of Christian scholars throughout the United States, particularly specialists in theology. Though ATI is a new journal, scholars who publish with ATI benefit from exposure to a vast, non-insular network of one of the broadest Christian academic communities possible.
The Challenge of the Silver Screen
This book analyses the most important depictions in film of Jesus, Rama, Buddha and Muhammad and the religious and cultural background to portraying individuals who disclose the divine. It also addresses the reactions of religious leaders to these films.
Bible and Cinema: Fifty Key Films
Bible and Cinema: Fifty Key Films introduces a wide range of those movies - among the most important, critically-acclaimed and highest-grossing films of all time - which have drawn inspiration, either directly or indirectly, from the Bible.
Art Cinema and Theology
This book examines postmodern theology and how it relates to the cinematic style of Robert Bresson, Carl Theodor Dreyer, Ingmar Bergman, and Luis Buñuel. Ponder demonstrates how these filmmakers forefront religious issues in their use of mise en scène. He investigates both the technical qualities of film “flesh” and its theological features. The chapters show how art cinema uses sound, editing, lighting, and close-ups in ways that critique doctrine’s authoritarianism, as well as philosophy’s individualism, to suggest postmodern theologies that emphasize community. Through this book we learn how the cinematic style of modernist auteurs relates to postmodern theology and how the industry of art cinema constructs certain kinds of film-watching subjectivity.
New Image of Religious Film
Contributors from richly diverse backgrounds explore a wide range of current issues concerning the interrelationship of religion and film.
