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This widely acclaimed first volume (1885-1933) is now made available in a newly designed format as a companion to the newly published volume 2 (1933-1973).
This second volume of Peter Heyworth's celebrated biography follows the conductor's fortunes to his final years with the Philharmonia Orchestra of London.
Otto Klemperer was one of the great conductors of the century. This second volume of Peter Heyworth's celebrated biography follows the conductor's fortunes from his time as an émigré in the United States to his final years as conductor of the Philharmonia Orchestra of London. His time in America was frustrating and unhappy. He became chief conductor of the Los Angeles Philharmonic, but failed to secure important engagements on the East Coast. Bedevilled by manic depression, his euphoric moods led to wild escapades, on one occasion finding him in police cells. Returning to Europe in 1946, he found work at the Budapest State Opera until Stalin's grip forced him away. In the fifties he found work where he could, suffering illness, accidents and depression. Finally, he was given a contract with EMI and his concerts and recordings with the Philharmonia brought, at last, the worldwide recognition that had so long eluded him. The two volumes are also available as a set.
Otto Klemperer was one of the great conductors of the century. This second volume of Peter Heyworth's celebrated biography follows the conductor's fortunes from his time as an émigré in the United States to his final years as conductor of the Philharmonia Orchestra of London. His time in America was frustrating and unhappy. He became chief conductor of the Los Angeles Philharmonic, but failed to secure important engagements on the East Coast. Bedevilled by manic depression, his euphoric moods led to wild escapades, on one occasion finding him in police cells. Returning to Europe in 1946, he found work at the Budapest State Opera until Stalin's grip forced him away. In the fifties he found work where he could, suffering illness, accidents and depression. Finally, he was given a contract with EMI and his concerts and recordings with the Philharmonia brought, at last, the worldwide recognition that had so long eluded him. The two volumes are also available as a set.
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Chapitre 6, p. 175-207, consacré à Adolphe Appia.
This book is the first to examine the brilliant gathering of composers, conductors, and other musicians who fled Nazi Germany and arrived in the Los Angeles area. Musicologist Dorothy Lamb Crawford looks closely at the lives, creative work, and influence of sixteen performers, fourteen composers, and one opera stage director, who joined this immense migration beginning in the 1930s. Some in this group were famous when they fled Europe, others would gain recognition in the young musical culture of Los Angeles, and still others struggled to establish themselves in an environment often resistant to musical innovation. Emphasizing individual voices, Crawford presents short portraits of Igor Stravinsky, Arnold Schoenberg, and the other musicians while also considering their influence as a group—in the film industry, in music institutions in and around Los Angeles, and as teachers who trained the next generation. The book reveals a uniquely vibrant era when Southern California became a hub of unprecedented musical talent.