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Seeing the Elephant
Thanks to globalization, more countries depend on each other for trade, capital, and ideas than ever before. Yet politically, these countries are drifting further apart. In Seeing the Elephant, author and emerging markets expert Peter Marber describes how increasing economic integration and the rise of new actors is drastically altering the geopolitical landscape, and offers insights on how the US can maintain a leading role in the 21st century and beyond. While America remains the single most important economy today, rising economic powerhouses — China, Russia, India, Brazil and others — bring a diverse set of interests to the table that the US cannot afford to ignore, Marber explains. ...
Money Changes Everything
While others debate or wring their hands, globalization has triumphed--and it is delivering unprecedented social and economic wealth to billions of people. Marber first proves once and for all that globalization is in fact improving life expectancy, literacy and education rates; extending leisure time; and delivering a broad new prosperity that touches most people and most societies.
Patrick Marber's Closer
Closer emerged as one of the most successful plays of the 1990s, and one with a continuing afterlife through the academy award nominated film adaptation in 2004. Although the work of dramatists such as Sarah Kane and Mark Ravenhill initially attracted the most critical and academic attention, Patrick Marber's Closer had long West End and Broadway runs. The play has since gone on to repeat this success in over 30 other countries.
Brave New Math: Information, Globalization, and New Economic Thinking in the 21st Century
Amid globalization, traditional economic measures like Gross Domestic Product, unemployment, and stock markets leave us with a distorted worldview - and a shaky foundation for policy decisions. In the Information Age, aren't there better indicators to manage our country's well-being? In Brave New Math, a follow-up to his thought-provoking 2012 article in the World Policy Journal, Peter Marber attacks conventional wisdom and recommends new metrics and policies to promote broader prosperity in the 21st century.
The Red Lion
Passion. Loyalty. Salvation. Small time semi-pro football, the non-league. A world away from the wealth and the television cameras. A young player touched with brilliance arrives from nowhere. An ambitious manager determines to make him his own. And the old soul of the club still has dreams of glory. A haunting and humorous new play about the dying romance of the great English game - and the tender, savage love that powers it.
Three Days in the Country
A handsome new tutor brings reckless, romantic desire to an eccentric household. Over three days one summer the young and the old will learn lessons in love: first love and forbidden love, maternal love and platonic love, ridiculous love and last love. The love left unsaid and the love which must out. Ivan Turgenev's passionate, moving comedy, A Month in the Country, has been a source of inspiration for films, a ballet and the plays of Chekhov. Patrick Marber's Three Days in the Country premiered at the National Theatre, London, in June 2015 in association with Sonia Friedman Productions.
Red Lion
'A beautiful play about the beautiful game.' Independent 'At its heart a dark, tender and beautifully wrought study in male desperation.' Time Out 'Patrick Marber is to modern British drama what Michael Owen was to our footie.' Daily Mail 'Marber, in this riveting new piece, uses the world of non-league, semi-pro football to explore issues of trust and loyalty and the larger division between individual ambition and the collective ethic. If big issues emerge naturally from the action, it is because Marber is writing about a world he knows intimately. Everything feels right.' Guardian 'A triumph. It's Marber's night. At 50, he has found his voice again, and it roars.' Daily Telegraph 'After nine years out of the game, Marber is back in the Champions League.' Mail on Sunday
Higher Education in the Global Age
Discussions on globalization now routinely focus on the economic impact of developing countries in Asia, Africa, the Middle East, the former Soviet Union and Latin America. Only twenty-five years ago, many developing countries were largely closed societies. Today, the growing power of “emerging markets” is reordering the geopolitical landscape. On a purchasing power parity basis, emerging economies now constitute half of the world’s economic activity. Financial markets too are seeing growing integration: Asia now accounts for 1/3 of world stock markets, more than double that of just 15 years ago. Given current trajectories, most economists predict that China and India alone will accoun...
From Third World To World Class
Presenting a bold new vision of the global economy, in which greater participation of developing countries means greater opportunities for for most--but not all--Marber reveals new sources of conflict as values clash in the game of global economic integration.
The Evolution of Liberal Arts in the Global Age
Advanced and developing countries across the globe are embracing the liberal arts approach in higher education to foster more innovative human capital to compete in the global economy. Even as interest in the tradition expands outside the United States, can the democratic philosophy underlying the liberal arts tradition be sustained? Can developing countries operating under heavy authoritarian systems cultivate schools predicated on open discussion and debate? Can entrenched specialist systems in Europe and Asia successfully adopt the multidisciplinary liberal arts model? These are some of the questions put to leading scholars and senior higher education practitioners within this edited collection. Beginning with historical context, international contributors explore the contours of liberal arts education amid public calls for change in the United States, the growing global interest in the approach outside the United States, as well as the potential of liberal arts philosophy in a global knowledge economy.
