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The Dictionary Wars
Peter Martin recounts the patriotic fervor in the early American republic to produce a definitive national dictionary that would rival Samuel Johnson's 1755 Dictionary of the English Language. But what began as a cultural war of independence from Britain devolved into a battle among lexicographers, authors, scholars, and publishers, all vying for dictionary supremacy and shattering forever the dream of a unified American language.
China's Civilian Army
The founder -- Shadow diplomacy -- War by other means -- Chasing respectability -- Between truth and lies -- Diplomacy in retreat -- Selective integration -- Rethinking capitalism -- The fightback -- Ambition realized -- Overreach.
Urban Affairs
Canada's last experience with national urban policy-making was in the 1970s. The authors focus on what has happened since, exploring how both our city-regions and our ideas about the urban policy-making process have changed. The authors also examine both the past and present roles of the federal government, and what it can and should do in the future. Contributors include Caroline Andrew, Paul Born (Tamarack Institute for Community Engagement, Cambridge), Kenneth Cameron (FCIP, Policy and Planning, Greater Vancouver Regional District), W. Michael Fenn, (Ontario Deputy Minister of Municipal Affairs and Housing), Pierre Filion (University of Waterloo), Katherine Graham, Pierre Hamel (Universit...
Stage-Bound
Annotation "Although feature film adaptations of Canadian plays have become increasingly common in the past decade, the practice of turning drama into film began in Canada in 1942 when Hilda Hooke Smith's Here Will I Nest was brought to the screen. Over the years some adaptations have enjoyed a fair measure of success while others have fallen into oblivion, but virtually all of them have engaged with their theatrical origins, often leading to criticism that they remain too rigidly anchored to the stage. Stage-Bound, the first extensive study of Canadian and Quebecois drama, challenges this reductive interpretation. Andre Loiselle demonstrates that theatricality is central to the meaning of these films, and in the process reclaims them."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved.
Around the Mountain
The republication of a book which is among the finest that Hugh Hood, one of Canada's most sophisticated and accomplished authors, has ever written. "Around the Mountain: Scenes from Montr?al Life" is, in the words of John Metcalf, an almost perfect achievement.' "Around the Mountain" is a documentary/fantasy portrait of Montr?al, its people, politics, folkways, geography and appearance as they were in the heady days of Expo 67. These twelve short narratives form a cyclical, encyclopaedic account of a dozen quarters of the city that literally circle around the peak of the low hill that Montr?alers call the mountain'. As Hood recalls in the new introduction to the book: I wanted to give a kin...
Image and Identity
What do images of the body, which recent poets and filmmakers have given us, tell us about ourselves, about the way we think and about the culture in which we live? In his new book A Body of Vision, R. Bruce Elder situates contemporary poetic and cinematic body images in their cultural context. Elder examines how recent artists have tried to recognize and to convey primordial forms of experiences. He proposes the daring thesis that in their efforts to do so, artists have resorted to gnostic models of consciousness. He argues that the attempt to convey these primordial modes of awareness demands a different conception of artistic meaning from any of those that currently dominate contemporary critical discussion. By reworking theories and speech in highly original ways, Elder formulates this new conception. The works of Brakhage, Artaud, Schneeman, Cohen and others lie naked under Elder’s razor-sharp dissecting knife and he exposes the essence of their work, cutting deeply into the themes and theses from which the works are derived. His remarks on the gaps in contemporary critical practices will likely become the focus of much debate.
In the National Interest
Gary Evans traces the development of the postwar NFB, picking up the story where he left it at the end of his earlier work, John Grierson and the National Film Board: The Politics of Wartime Propaganda.
Hollywood North
British Columbia’s billion-dollar film industry trails behind only those of California and New York. This book recounts the story of British Columbia’s rapid rise from relative obscurity in the film world to its current status as " Hollywood North." Gasher positions the industry as a model for commercial film production in the twenty-first century -- one strongly shaped by a perception of cinema as a medium, not of culture, but of regional industrial development. He addresses the specific economic and geographic factors that contribute to the province’s success, such as the low Canadian dollar and BC’s proximity to Los Angeles. Hollywood North is an important book that brings into focus the tension between globalization and localization in the film industry.
Claude Jutra
Through close readings of Jutra's major films, Jim Leach analyses their distinctive cinematic qualities and discusses the responses they have received from reviewers and critics. He focuses both on the films and the historical and cultural contexts in which they were made, arguing that critics have frequently used inappropriate criteria to judge them and that these misunderstandings reveal much about attitudes to Canadian cinema in general. Jutra's films are shown to reflect the instability of their cinematic and cultural contexts and raise important questions about nationhood. Jutra always identified himself as a separatist and his films were shaped by the rapid changes in Quebec society during the Quiet Revolution and by the political tensions of the sixties and seventies. At the same time his work was often appreciated by English Canadian critics and audiences and was affected by federal film policy and institutions. Although Jutra died in 1986, his films and career still have much to tell us about Canadian cinema and media production, and about the complex cultural contexts that underlie the ongoing debates on Canadian and Quebec nationhood.
The Satellite Sex
Citing a lack of strong feminist voices in contemporary Canadian media, Freeman (journalism, Carleton U., Ottawa) was motivated to write this first book-length analysis of news media coverage of women's issues in Canada. The period 1966-1971 is seen as a critical period in Canadian feminist history, during which time the Canadian government appointed a federal inquiry into women's issues (the Royal Commission on the Status of Women). Freeman examines the relationship between the Commission and the media, the reporters' understandings of professional practice, and the ways in which they covered issues from the hearings and the Commission's Report. She argues that an understanding of media coverage of gender issues is the past may lead to thoughtful and effective coverage now and in the future. Accessible to a general audience. c. Book News Inc.
