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Collected Contraptions
Peter McCarey's first full collection, comprising work from his five pamphlets, is an exhilarating journey on the U-bahns and runways of language: 'In a matter of hours / they can take you anywhere'. Collected Contraptions opens with water, rain and shadows; the inscription of the singer's mark from the lost language of the Indus Valley civilisation shines from a Shakespeare sonnet; we are caught in a sci-fi spaghetti Western; a shady Czech smuggles a golem and a robot into pre-massacre Rwanda. Language shape-shifts, reinvents itself, before going on another road trip where stories are recited backwards and fast forward. 'Last is Tantris', an epic of intricate narrative whose message couldn't be more simple: Don't go: 'don't let the morning/ Turn your head with her shivering, thin grace.'
In the Metaforest
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Leo McCarey
This first full-length biography of a legendary and award-winning Hollywood writer, producer, and director (Duck Soup, My Favorite Wife, An Affair to Remember, Going My Way, and The Bells of St. Mary's) explores the director's life as filtered through his art. Gehring maintains that McCarey's films were often a reworking of his antiheroic self. In addition, the apparent diversity of his films actually represents an interrelated web of various comedy genres and a pattern of antiheroic characters and themes.
Edinburgh Companion to Twentieth-Century Scottish Literature
This volume considers the major themes, texts and authors of Scottish literature of the twentieth and, so far, twenty-first century. It identifies the contexts and impulses that led Scottish writers to adopt their creative literary strategies. Moving beyond traditional classifications, it draws on the most recent critical approaches to open up new perspectives on Scottish literature since 1900. The volume's innovative thematic structure ensures that the most important texts or authors are seen from different perspectives whether in the context of empire, renaissance, war and post-war, literary genre, generation, and resistance. In order to provide thorough coverage, these thematic chapters are complemented by chronological 'Arcade' chapters, which outline the contexts of the literature of the period by decades, and by 'Overview' chapters which trace developments across the century in theatre, language and Gaelic literature. Taken together, the chapters provide a thorough and thought-provoking account of the century's literature.
Beyond the Last Dragon
Edwin Morgan's restless imagination moved easily between multiple worlds, voices and identities. His own life story, told here for the first time, also reveals a range of identities - as academic, cultural activist, radical writer, international traveller, gay man and national poet. These identities were sometimes in conflict, or kept hidden and apart. Beyond the Last Dragon, written with his full support, explores hitherto unknown archive resources and creative work. It recounts an amazing and sometimes troubled career, using the poet's own letters, poems and plays from the 1930s to the present day to uncover the origins of his remarkable - and life-long - inventiveness and flair. All this is set against Edwin Morgan's moving struggle against 'the last dragon' of cancer, and to remain creatively alive in the face of suffering in the final years of his life. This prize-winning biography was published just days after the poet's death. James McGonigal now adds a new chapter to describe subsequent events.
Southfields
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The Syllabary
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Petrushka
Description of Severe Epidemic Phytonotic Syndrome (SEPS) and recommendations on its treatment and control. Proceedings of a real conference on a fictitious pandemic.
Beyond Scotland
Scottish creative writing in the twentieth century was notable for its willingness to explore and absorb the literatures of other times and other nations. From the engagement with Russian literature of Hugh MacDiarmid and Edwin Morgan, through to the interplay with continental literary theory, Scottish writers have proved active participants in a diverse international literary practice. Scottish criticism has, arguably, often been slow in appreciating the full extent of this exchange. Preoccupied with marking out its territory, with identifying an independent and distinctive tradition, Scottish criticism has occasionally blinded itself to the diversity and range of its writers. In stressing ...
