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Thomas Hardy's Women
Thomas Hardy was always fascinated by women. While in life his relationships were often fraught and unhappy, through the heroines of his novels we can see into his sole. This book assesses the influence of Hardy's closest female friends and family on his life and his work and looks at how his response to them moulded his creative genius.
Treatise On Natural Philosophy; Volume 1
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Viv "and the Geordie Mafia"
Featuring interviews with those close to the Geordie Godfather who was gunned down in a gangland hit, this book is the follow up to Viv (Graham) - 'Simply the Best'. It reveals stories of Graham's life and of his murder, and includes a comparison between nightclubs in Liverpool and Newcastle.
The Grey Festival
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Performing Emotions
In Performing Emotions, Peta Tait's central argument is that performing emotions in realism is also performing gender identity. This study integrates scholarship on realist drama, theatre and approaches to acting, with interdisciplinary theories of emotion, phenomenology and gender theory. With chapters devoted to masculinity and femininity specifically, as well as to emotions generally, it investigates social beliefs about emotions through Chekhov's four major plays in translation, and English language commentaries on Constantin Stanislavski's direction (of the play's first productions) and his approaches to acting, and Olga Knipper's acting of the central women characters. Tait demonstrates how theatrical emotions are predicated on embodied social performances and create cultural spaces of emotions. Performing Emotions investigates how sexual difference impacts on the representations of emotions. The book develops an accumulative analysis of the meanings of emotions in twentieth century realist drama, theatre and acting.
