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The Brothers Karamazov
The Brothers Karamazov is a passionate philosophical novel set in 19th century Russia, that enters deeply into the ethical debates of God, free will, and morality. It is a spiritual drama of moral struggles concerning faith, doubt, judgement, and reason, set against a modernizing Russia, with a plot which revolves around the subject of patricide. Dostoyevsky composed much of the novel in Staraya Russa, which inspired the main setting. Since its publication, it has been acclaimed as one of the supreme achievements in world literature.
Quantum Mechanics, A Half Century Later
The articles collected in this volume were written for a Colloquium on Fifty Years of Quantum Mechanics which was held at the University Louis Pasteur of Strasbourg on May 2-4, 1974, in commemoration of the original work by De Broglie in 1924. It is our hope that this volume will convey to the reader the idea that quantum mechanics, besides being a fundamental tool for scien tific workers today, is also a source of a number of questions and thoughts about the interpretation of the foundation of quantum mechanics itself. This gives rise to problems of a philosophical and logical character and has repercussions on other domains such as the theory of gravitation. Besides the papers presented at the Colloquium, an article has been included by D. Bohm and B. Hiley. This compensates, perhaps, for the article of S. Kochen, whose manuscript unfortunately did not reach us in time for inclusion in ~his volume. A few months after this Colloquium we learned of the death of Professor Jauch, who had taken a lively and crucial part in its discussions. We have been extremely saddened by the news of his death, and would like to express our long standing indebtedness to him as a physicist.
Your Ancient Canadian Family Ties
Short biographies of French-Canadian settlers in Canada from 1618 to 1700.
Identity and Transformation in the Plays of Alexis Piron
"Alexis Piron (1689-1773) was one of the most renowned humorists of eighteenth-century France, his rapier wit feared even by Voltaire. As a playwright, he was one of the most versatile of the period, writing for both the official French and Italian theatres and the unofficial troupes of the Parisian Fairs. Although, like those of most of his contemporaries, his plays have disappeared from the repertoire, La Metromanie, the comedy in which he brings to the stage his mockery of Voltaire, has always been known and enjoyed on the page. More recent interest in popular culture is leading to increased appreciation of his anarchic creations for the Fairs too, and he also wrote, in Gustave Wasa, one of the most popular tragedies of his time. Derek Connon examines the themes and dramatic techniques of the plays of this fascinating and entertaining author."
Foundations of Probability and Physics - 5
This conference was devoted to fundamental questions raised by quantum mechanics, especially in quantum information theory. As has become customary in our series of conference in Växjö, we were glad to welcome a fruitful assembly of theoretical physicists, experimentalists, mathematicians and even philosophers interested in the foundations of probability and physics. This conference belongs to the series of Växjö conferences in foundations of quantum mechanics (especially probabilistic foundations) combined of two subseries, Foundations of Probability and Physics: 2000, 02, 04, 06, 08, and Quantum Theory: Reconsideration of Foundations: 2001, 03, 05, 07. We also mention the first Växjö conference: Bohmian mechanics 2000. This is definitely the longest series of conferences on foundations in the history of quantum mechanics.
Le Claperman; L’Âne d’or. By Alexis Piron
Alexis Piron was a significant figure in France in the first part of the eighteenth century and his twenty or so opéras-comiques include some of the finest works in the genre. The two plays included in this edition are among Piron’s best, and have in common the fact that they make use of pre-existing sources, although these are very different in kind, being, on the one hand, a short and obscure text made available by a group of writers working in the Netherlands but writing in French, and, on the other, one of the best known works of classical literature, the only novel in Latin to survive complete, The Golden Ass of Apuleius. The introduction studies how these disparate texts have been adapted, and notes draw attention to points of detail, comparing and contrasting the two plays. The background to the development of the genre of opéra-comique is also discussed, as is Piron’s use of the musical material associated with the genre in the first decades of its existence.
