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Music and the Cultural Production of Scale
This open access book shows how geographical scales are made through music. Scales are sets of spatial frames, abstractions or categories that denote the size, proportion, level, extent or hierarchical relations of phenomena. They are neither natural nor neutral but actively produced, with real political effects. But what role do cultural practices play in the production of scale? Phil Dodds addresses this question by focusing on music, arguing that music scholarship has both most to gain from and most to offer to a fuller conceptualisation of how geographical scale is culturally produced. Dodds suggests that music scholars should treat scales as open questions, and as phenomena potentially ...
The Geographies of Enlightenment Edinburgh
Edinburgh was an Enlightenment city of regional, national and global influence. But how did the people of Enlightenment Edinburgh understand and order their world? How did they encounter, compare and produce different kinds of spaces, from the urban to the world scale? And how did this city set the universal standards by which other places should be judged and transformed? The Geographies of Enlightenment Edinburgh answers these questions by exploring the thousands of urban plans, county surveys, travel accounts and encyclopaedias that passed through a busy Edinburgh bookshop over four decades. It reveals how these geographical publications were produced and shared, and sheds light on the people who bought and used them - including moral philosophers, silk merchants, school teachers, ship's surgeons and slave owners. This is the story of how specific methods of mapping space came ultimately to predict and organize it, creating a new world in Edinburgh's image. By connecting global processes of knowledge production to intimate accounts of its reception in the city, this book deepens our understanding of the Scottish Enlightenment and the world it made.
Transnational Women Writers in the Wilmot Coterie, 1798-1840
Highlights the centrality of non-canonical, middle-ranking women writers to the production of literature and culture in Britain, Ireland, Europe and Russia in the late eighteenth century. The Irish writers and editors Katherine (1773-1824) and Martha Wilmot (1775-1873) left a unique record of middle-ranking women's literary practices and experiences of travel in the late eighteenth and early nineteenth century. Their manuscripts are notable for their vivid portrayal of the era's political conflicts, capturing a flight from Ireland during the Irish Rebellion (1798), time spent in Paris during the Peace of Amiens (1801-03), and extended residences in Russia during the Napoleonic Wars. However,...
Electronic Music
This accessible Introduction explores both mainstream and experimental electronic music and includes many suggestions for further reading and listening.
Regional Romanticism
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Changing Pedagogies for Children in Eighteenth-Century England
"Published in association with BSECS, British Society for Eighteenth-Century Studies"
The Rotarian
Established in 1911, The Rotarian is the official magazine of Rotary International and is circulated worldwide. Each issue contains feature articles, columns, and departments about, or of interest to, Rotarians. Seventeen Nobel Prize winners and 19 Pulitzer Prize winners – from Mahatma Ghandi to Kurt Vonnegut Jr. – have written for the magazine.
Close Encounters Of The Third Kind - Ultimate Trivia Book: Trivia, Curious Facts And Behind The Scenes Secrets Of The Film Directed By Steven Spielberg
CLOSE ENCOUNTERS OF THE THIRD KIND - ULTIMATE TRIVIA BOOK: TRIVIA, CURIOUS FACTS AND BEHIND THE SCENES SECRETS OF THE FILM DIRECTED BY STEVEN SPIELBERGCREATED BY: FILMIC UNIVERSE-Do you think you know everything about CLOSE ENCOUNTERS OF THE THIRD KIND?Do you want to know more than 100 curious facts and secrets of Steven Spielberg's film?This eBook is full of information about one of the best movies of 1977. You will find and REALLY LOVE abundant behind the scenes secrets. You can test your knowledge about this movie here.-HERE SOME EXAMPLES:- Director Steven Spielberg stated that nothing in his life had been more difficult than editing the final 35 minutes of this film.- The words that the ...
