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In the wake of American independence, it was clear that the new United States required novel political forms. Less obvious but no less revolutionary was the idea that the American people needed a new understanding of the self. Sensibility was a cultural movement that celebrated the human capacity for sympathy and sensitivity to the world. For individuals, it offered a means of self-transformation. For a nation lacking a monarch, state religion, or standing army, sensibility provided a means of cohesion. National independence and social interdependence facilitated one another. What Sarah Knott calls "the sentimental project" helped a new kind of citizen create a new kind of government. Knott paints sensibility as a political project whose fortunes rose and fell with the broader tides of the Revolutionary Atlantic world. Moving beyond traditional accounts of social unrest, republican and liberal ideology, and the rise of the autonomous individual, she offers an original interpretation of the American Revolution as a transformation of self and society.
A microhistorical examination of early American culture
This book relates the story of a small Newfoundland community, as told through its buildings. From the addition of a kitchen to the construction of a new house, the way people build and change their homes says a great deal about their histories and daily lives, and the author’s insights on the stories told in the architecture of the Codroy Valley are sure to encourage readers to look at their own communities in a new way.
The title of my current Book is Kallitype: The Processes and The History The book is a detailed report of the major kallitype processes described with sufficient particulars for modem photographers to apply and work. The book discusses Kallitype I, Kallitype II, Kallitype III, and the Brown Print, tracing the published history of the invention, and improvements of all significant historical contributors to the development of each process. The historical framework of the book documents the original invention and the sale of each of the four processes. It discusses the many published kallitype printmakers from 1890 to 1930 who wrote about their way of working the process. It includes process i...
The definitive guide to Salem’s architecture, now available in a new edition. Salem, Massachusetts is home to one of the largest extant collections of historical architecture in the entire nation. In this long-awaited new edition, noted architectural historian Bryant F. Tolles, Jr., presents an illustrated guide and walking tour covering more than three centuries of building styles and types. The book discusses over 350 buildings and complexes, with individual entries and photographs of nearly 230 structures. The material has been arranged according to eight tour districts, each accompanied by an introduction and a map. A joy for the avid walker and arm-chair enthusiast alike, this book is an essential guide to the architecture of Salem from the early seventeenth century through the Georgian, Federal, Victorian, modern, and contemporary periods. Updated with new maps; color illustrations; a preface by Lynda Roscoe Hartigen, executive director and CEO of the Peabody Essex Museum; and a foreword by Steven Mallory, manager of historic structures and landscapes at the Peabody Essex Museum.
A startlingly original synthesis of keen observation and interpretive skill that will transform one s understanding of New England s man-made landscape"
This summary essay and the heavily annotated bibliography covering the period from the first colonization to 1826 are primarily intended to aid the scholar and student by suggesting areas of further study and ways of expanding the conventional interpretations of early American history. Originally published in 1935. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
The notion of a uniquely Quaker style in architecture, dress, and domestic interiors is a subject with which scholars have long grappled, since Quakers have traditionally held both an appreciation for high-quality workmanship and a distrust of ostentation. Early Quakers, or members of the Society of Friends, who held "plainness" or "simplicity" as a virtue, were also active consumers of fine material goods. Through an examination of some of the material possessions of Quaker families in America during the eighteenth, nineteenth, and early twentieth centuries, the contributors to Quaker Aesthetics draw on the methods of art, social, religious, and public historians as well as folklorists to e...